Joseph Pennell's pictures of the Panama Canal: Reproductions of a series of lithographs made by him on the Isthmus of Panama, January—March 1912, together with impressions and notes by the artistPennell, Joseph
History
Joseph Pennell's pictures of the Panama Canal: Reproductions of a series of lithographs made by him on the Isthmus of Panama, January—March 1912, together with impressions and notes by the artist
Across the bridge was a telephone station and beyond and below it the
great approaches to the locks along which electric locomotives will
draw the ships that pass through. There was a subject, and I tackled it
at once. In the distance the already filling lake--among islands, but
the highland still above the water, dotting it, crowned with palms and
strange trees; dredgers slowly moved, native canoes paddled rapidly,
over all hovered great birds. To the right was the long line of the
French Canal, almost submerged, stretching to the distance, against
which, blue and misty and flat, were strange-shaped mountains, outlined
with strange-shaped trees. Bridges like those of Hiroshigi connected
island with island or with the mainland. It was perfect, the apotheosis
of the Wonder of Work, and as I looked the whole rocked as with an
earthquake--and then another. I was dragged into the hut as showers of
stones rattled on the roof as blast after blast went off near by. Soon
people in authority came up--I supposed to stop me; instead it was only
to show pleasure that I found their work worth drawing. These men were
all Americans, all so proud of their part in the Canal, and so strong
and healthy--most of them trained and educated, I knew as soon as they
opened their mouths--the greatest contrast to the crowd on the steamer,
who now were all tamely following a guide and listening to what they
could neither understand nor see during their only day ashore. These
engineers and workmen are the sort of Americans worth knowing, and
yet I did not see any golf links at Gatun. The day was spent in that
telephone box and on the Spillway of the Dam--a semicircle of cyclopean
concrete, backed by a bridge finer than Hokusai ever imagined, yet
built to carry the huge engines that drag the long trains of dirt and
rock across it, to make the dam. The dam, to me, was too big and too
vague to draw. And all this is the work of my countrymen, and they are
so proud of their work. Yet the men who have done this great work will
tell you that we owe much to the French, and that if the engineers and
the Commission at Panama had not the Government, with unlimited men
and money, behind them, and the discoveries in sanitary science of
which the French were ignorant, we, too, would have failed. They tell
you, and show you how, the French worked on the Canal right across the
Isthmus, and we are carrying out the great project they were unable to
complete. And we have won the admiration of the world.
Public-domain text, read in full here on John Shaqi.
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