Joseph Pennell's Pictures of War Work in America: Reproductions of a series of lithographs of munition works made by him with the permission and authority of the United States government, with notes and an introduction by the artist — John Shaqi
Joseph Pennell's Pictures of War Work in America: Reproductions of a series of lithographs of munition works made by him with the permission and authority of the United States government, with notes and an introduction by the artistPennell, Joseph
History
Joseph Pennell's Pictures of War Work in America: Reproductions of a series of lithographs of munition works made by him with the permission and authority of the United States government, with notes and an introduction by the artist
Pennell, Joseph
Lithography, American; Pennell, Joseph, 1857-1926; World War, 1914-1918 -- Pictorial works; World War, 1914-1918 -- War work -- United States -- Pictorial works
So like a British one, that I wonder which one got the idea of
arrangement of the Shop from the other. Here the guns are turned; and
one man said to me: “Well, I don’t know whether I’ll be drafted by the
U. S.--but I do know, I’d sooner waste my time makin’ guns, than spend
it havin’ ’em shot at me by some Dutchman.”
[Illustration]
XXXI
THE BIGGEST LATHE IN THE WORLD
Many of the subjects I have chosen are probably the “biggest in the
world” and the most impressive, too--that is the reason why I have drawn
them. I have seen great lathes and great guns in Europe, but this one is
certainly greater than any other.
“You couldn’t do that, Fatty,” said the man.
“Couldn’t I,” said the other. “You bet I could if I had been drawin’
lathes as long as him!” It was the second one I have drawn.
[Illustration]
XXXII
THE GUN TESTING GROUND
Into the rocky cliff great holes had been bored, and into them the Guns
mounted on their carriages, by the great gantry, were fired, passing
through wires hung from screens, to test their velocity. One thing that
interested me, standing behind the guns--interested me too much,
really--was, that there was no smoke, save that which came out of the
hole where the shells exploded. And another fact was, that I could not
see the shell in its flight--nor can those at whom it is fired--it goes
so fast the sound cannot keep up with it. Sight cannot follow it.
[Illustration]
XXXIII
THE RIVETERS
What perpendicular cathedral is as full of mystery as this shop. I know
of none and I know most of them, and when the fires glow on the work
altar, and the great jaws pierce and rivet the boiler plates, then is
heard the Hymn of Work.
[Illustration]
XXXIV
BUILDING ENGINES FOR THE ALLIES
In serried lines they stood--first one for Russia--then one for
France--and on the other side several for ourselves--and I said, “Why,
this is Ford’s idea!” for the parts came in at the sides of the shop and
the finished engine steamed out at the end. “Oh, yes!” said the manager,
“only we have been doing it twenty years,” and now they build a
locomotive in four days.
[Illustration]
XXXV
THE FLYING LOCOMOTIVE
Yes, locomotives can soar--can fly--and, like Mahomet’s coffin, stand in
the air; and they do these things in a blaze of glory--because the shop
where they are built is not big enough to shift them about in any other
way. As the engine sailed toward me I tried to make a note of it. “Why
would you like to draw it?” said the manager, as I frantically went on
making notes of the approaching monster. “Which end would you like up?”
He made a signal, they don’t talk in these shops, it stopped and there
it hung. “Bring on another,” signalled the manager--and so I drew and so
the creature posed till I had finished--an excellent model in a
wonderful studio.
[Illustration]
XXXVI
THE CAMP: THE NEW ARCHITECTURE
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