Journal 01, 1837-1846: The Writings of Henry David Thoreau, Volume 07 (of 20)Thoreau, Henry David
Philosophy
Journal 01, 1837-1846: The Writings of Henry David Thoreau, Volume 07 (of 20)
Thoreau, Henry David
Authors, American -- 19th century -- Diaries; Thoreau, Henry David, 1817-1862 -- Diaries
Costume is not determined by whim, not even the tattooing and paint
of the savage. Sun, wind, rain, and the form of our bodies shape our
hats and coats for us, more even than taste. Good taste secures the
utmost gratification without sacrificing any conveniences. If all
nations derived their fashions from Paris or London, the world would
seem like a Vanity Fair or all fools' day, and the Tartar and Bedouin
ride in it like jesters in a circus, and the Pawnee and Esquimau
hunt in masquerade. What I am must make you forget what I wear. The
fashionable world is content to be eclipsed by its dress, and never will
bear the contrast. Only industry will reform _their_ dress. They are
idle,—_exo_strious, building without.
* * * * *
The value of the recess in any public entertainment consists in the
opportunity for self-recovery which it offers. We who have been swayed
as one heart, expanding and contracting with the common pulse, find
ourselves in the interim, and set us up again, and feel our own hearts
beating in our breasts. We are always a little astonished to see a man
walking across the room, through an attentive audience, with any degree
of self-possession. He makes himself strange to us. He is a little
stubborn withal, and seems to say, "I am self-sustained and independent
as well as the performer, and am not to be swallowed up in the common
enthusiasm. No, no, there are two of us, and John's as good as Thomas."
In the recess the audience is cut up into a hundred little coteries,
and as soon as each individual life has recovered its tone and the
purposes of health have been answered, it is time for the performances
to commence again.
* * * * *
In a public performer, the simplest actions, which at other times are
left to unconscious nature, as the ascending a few steps in front of an
audience, acquire a fatal importance and become arduous deeds.
* * * * *
When I select one here and another there, and strive to join sundered
thoughts, I make but a partial heap after all. Nature strews her nuts
and flowers broadcast, and never collects them into heaps. A man does
not tell us all he has thought upon truth or beauty at a sitting, but,
from his last thought on the subject, wanders through a varied scenery
of upland, meadow, and woodland to his next. Sometimes a single and
casual thought rises naturally and inevitably with a queenly majesty and
escort, like the stars in the east. Fate has surely enshrined it in this
hour and circumstances for some purpose. What she has joined together,
let not man put asunder. Shall I transplant the primrose by the river's
brim, to set it beside its sister on the mountain? _This_ was the soil
it grew in, _this_ the hour it bloomed in. If sun, wind, and rain came
_here_ to cherish and expand it, shall not we come here to pluck it?
Shall we require it to grow in a conservatory for our convenience?
Public-domain text, read in full here on John Shaqi.
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