Journal 01, 1837-1846: The Writings of Henry David Thoreau, Volume 07 (of 20)Thoreau, Henry David
Philosophy
Journal 01, 1837-1846: The Writings of Henry David Thoreau, Volume 07 (of 20)
Thoreau, Henry David
Authors, American -- 19th century -- Diaries; Thoreau, Henry David, 1817-1862 -- Diaries
We smile, of course, as in duty bound, at so artless an avowal; but,
having smiled, we are bound also to render our opinion that the most
_blasé_ concert-goer, if he be a man of native sensibility, will readily
enough discern what Thoreau has in mind, and with equal readiness will
concede to it a measure of reasonableness; for he will have the witness
in himself that the effect of music upon the soul depends as much upon
the temper of the soul as upon the perfection of the instrument. One
day a simple air, simply sung or played, will land him in heaven; and
another day the best efforts of the full symphony orchestra will leave
him in the mire. And after all, it is possibly better, albeit in "poorer
taste," to be transported by the wheezing of an accordion than to be
bored by finer music. As for Thoreau, he studied to be a master of the
art of living; and in the practice of that art, as of any other, it is
the glory of the artist to achieve extraordinary results by ordinary
means. To have one's existence deepened—there cannot be many things more
desirable than that; and as between our unsophisticated recluse and the
average "musical person" aforesaid, the case is perhaps not so one-sided
as at first sight it looks; or, if it be, the odds are possibly not
always on the side of what seems the greater opportunity.
His life, the quality of his life, that for Thoreau was the paramount
concern. To the furthering of that end all things must be held
subservient. Nature, man, books, music, all for him had the same use.
This one thing he did,—he cultivated himself. If any, because of his
so doing, accused him of selfishness, preaching to him of philanthropy,
almsgiving, and what not, his answer was already in his mouth. Mankind,
he was prepared to maintain, was very well off without such helps, which
oftener than not did as much harm as good (though the concrete case at
his elbow—half-clad Johnny Riordan, a fugitive slave, an Irishman who
wished to bring his family over—appealed to him as quickly as to most,
one is glad to notice); and, however that might be, the world needed a
thousand times more than any so-called charity the sight of a man here
and there living for higher ends than the world itself knows of. His
own course, at any rate, was clear before him: "What I am, I am, and
say not. Being is the great explainer."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account