I had not been out long to-day when it seemed that a new Spring was already born,—not quite weaned, it is true, but verily entered upon existence. Nature struck up "the same old song in the grass," despite eighteen inches of snow, and I contrived to smuggle away a grin of satisfaction by a smothered "Pshaw! and is that all?" _Feb. 19._ Each summer sound Is a summer round.[24] GOETHE _Feb. 27._ He jogs along at a snail's pace, but ever mindful that the earth is beneath and the heavens above him. His Italy is not merely the fatherland of lazzaroni and maccaroni but a solid turf-clad soil, daily illumined by a genial sun and nightly gleaming in the still moonshine,—to say nothing of the frequent showers which are so faithfully recorded. That sail to Palermo was literally a plowing through of the waves from Naples to Trinacria,—the sky overhead, and the sea with its isles on either hand. His hearty good-will to all men is most amiable; not one cross word has he spoken, but on one occasion, the post boy snivelling, "Signore, perdonate! quésta è la mia patria," he confesses, "to me poor northerner came something tear-like into the eyes."[25] SPRING _March 1._ March fans it, April christens it, and May puts on its jacket and trousers. It never grows up, but Alexandrian-like "drags its slow length along," ever springing, bud following close upon leaf, and when winter comes it is not annihilated, but creeps on mole-like under the snow, showing its face nevertheless occasionally by fuming springs and watercourses. So let it be with man,—let his manhood be a more advanced and still advancing youth, bud following hard upon leaf. By the side of the ripening corn let's have a second or third crop of peas and turnips, decking the fields in a new green. So amid clumps of sere herd's-grass sometimes flower the violet and buttercup spring-born. HOMER _March 3._ Three thousand years and the world so little changed! The Iliad seems like a natural sound which has reverberated to our days. Whatever in it is still freshest in the memories of men was most childlike in the poet. It is the problem of old age,—a second childhood exhibited in the life of the world. Phœbus Apollo went like night,—ὁ δ' ἤιε νυκτὶ ἐοικώς. This either refers to the gross atmosphere of the plague darkening the sun, or to the crescent of night rising solemn and stately in the east while the sun is setting in the west. Then Agamemnon darkly lowers on Calchas, prophet of evil,—ὄσσε δέ οἱ πυρὶ λαμπετόωντε ἐΐκτην,—such a fire-eyed Agamemnon as you may see at town meetings and elections, as well here as in Troy neighborhood. A SUNDAY SCENE