Journal and Letters of Philip Vickers Fithian: A Plantation Tutor of the Old Dominion, 1773-1774. — John Shaqi
Journal and Letters of Philip Vickers Fithian: A Plantation Tutor of the Old Dominion, 1773-1774.Fithian, Philip Vickers
History
Journal and Letters of Philip Vickers Fithian: A Plantation Tutor of the Old Dominion, 1773-1774.
Fithian, Philip Vickers
Carter family; Virginia -- Social life and customs -- To 1775
In his domestic establishment the planter sought to reproduce as
nearly as he conveniently could the residence of the English gentry
with its gardens, lawns, and parks. Plans of English homes and
gardens, which intelligent workmen or even a layman might adapt, were
accessible in the handbooks of architecture and gardening found in
many of the planters' libraries. In some instances the striking
similarity of detail leaves little doubt that the plans for a
planter's residence derived directly from plates in these books. All
the forms common to the English country architecture of the period
were employed in the plantation residences. Sometimes English master
builders and gardeners were imported to supervise the construction of
the residences and the planting of the grounds.
The vogue for formality in English architecture and landscaping was
mirrored in the arrangement of the Virginia estates. The mansions were
generally placed according to carefully preconceived plans in a formal
setting which nonetheless managed to achieve an air of ease and
naturalness. Balance and symmetry were observed everywhere, with the
buildings, gardens, and extensive lawns forming component parts of one
composition. Walks of brick or oyster shell crossed the grounds in
geometric pattern. If a bowling green or formal garden flanked one
side of the mansion, an orangery or perhaps a park stocked with deer
flanked the other.
English box and other ornamental plants were used with fine effect.
Terraces, elaborate parterres, sunken panels, canals, and dramatic
vistas gave variety to the scene. "Falling gardens" were popular at
the residences situated on high eminences overlooking the great rivers
and marshes.[14] Not infrequently, as at "Blandfield," a ha-ha
provided a note of pleasant surprise for one walking on the lawns.[15]
Graceful garden houses, dovecots, and other miniature structures,
carefully placed, sometimes imparted a fanciful atmosphere to the
whole. Every estate had its orchard, the fruit of which surpassed the
choicest specimens of the homeland. Wildernesses or preserves of
transplanted trees might be found at some distance from the residence,
and sometimes serpentine drives and walks invited one to explore
hidden retreats.
[14] A "falling garden" consisted of a series of very broad terraces,
usually connected by ramps covered with turf, oyster shell or other
surface material to prevent erosion. In some instances the successive
levels were planted in elaborate patterns. In others the whole was
covered with turf. The "falling garden" at "Sabine Hall" retains its
eighteenth-century design intact.
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