Going on yet higher up into the mountains, we met a dreary little
funeral, coming down under umbrellas. The coffin, under a black cloth,
was pushed along in a two-wheeled cart by a woman and a very old man.
Some women and two or three old people followed, and some children and
dogs.
It was not the funeral of a soldier, only of some one uselessly dead.
III
Rain, sunshine, wet black rock, great blue and black and purple clouds,
clear azure spaces, snows, lifted drifted crests of snow, like waves
arrested--all this as we went up, and up, with a rainbow like a bridge
across the valley we were leaving behind us.
Up and up and up, into the young joy of the mountains, young as at the
beginning of the world, joyous above all things. What do they care, the
great mountains? They stand quite still, and all things pass. They lift
their heads, and do not even know.
A baby cried because its father was gone away to war. Its mother did
not cry at all.
A stranger came by and cried, not because of those especial people, but
because of the world.
A little funeral straggled down the hill in the rain.
None of it mattered.
I thought, we went up high above all griefs.
Some children and a woman, from a hut up in the snow, came to beg of us.
I thought, for what did they need to beg, they, who had the everlasting
snows? I thought, how absurd to beg for bread to live, in a place
where death would be so pure and clear, would ring out so joyously. I
thought, how nice it is that all the roads of life lead up to death.
And that death, however come to, is so high a thing.
It was terribly cold. The snow was over us and under us, as the clouds
were.
IV
In the round basin circled with snows, the ancient hospice--that is
no more a hospice, from which its old possessors have been driven
away--stands white, beside the white road, in the close-cropped
pasture. The sheep and tawny rough cattle were the only things that
stirred. The smoke of the hospice chimneys stayed quite motionless in
the golden air.
The air rang like a golden bell.
The music of the cow-bells was no more distinct a music than that of
just the golden ringing of the air.
They lighted a fire in the stove of the long white refectory, and we
had tea and bread and butter and honey beside it.
There were no guests in the hospice. The little white stone rooms, that
used to be the monks' cells, had floors of red-brick tiles and thick
walls, and each cell had one deep narrow window.
The woman who built our fires, and fetched our tea, and showed us to
our little white stone rooms, was not old, but looked very old and sad.
She had a red knitted shawl and big gold ear-rings, and big brown dumb
eyes.
We went out into the music of the sunset, every mountain peak was
singing. It was utterly still, except for the sheep-bells and
cow-bells. The silence was a great music, joyous and grave.
V
Public-domain text, read in full here on John Shaqi.
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