We motored through the wet sunshiny country, softly dipped and softly
lifted, blue-green forest and wide ripe harvest fields, blue and purple
and crimson beet fields, long low brown and rust-red towns with square
church towers, Sunday people out in the doorways, and swallows always
flying low and crying.
We had tea in Soissons, at Maurizi's, and went to the cathedral, where
the offices were over, and to the pastrycook's, Monsieur Pigot's, to
buy some cherry tarts.
Home by the long straight road between the poplars.
It was so cold suddenly that one imagined autumn. There was a wind come
up, and some yellow leaves were flying with it.
After dinner we had a fire lighted in the tiled room. The heat brought
out all the sweetness of the roses in the blue bowls, and the flames
sent lovely lights and shadows to play along the old stone walls.
I do not think I would be afraid if it were not for my dreams.
Every night I have dreamed of galloping horses and thunder--or cannon,
I don't know which--and of blood, dripping and dripping down the
château stairs. I see the blood in red pools on the worn old grey
stones of the stairs, and in black stains on the new carpet. Some of
the nights I have stayed up, walking the floor of my room that I might
not sleep and dream so horribly.
Monday, July 27th
The papers make things look better; we think it cannot be, cannot
possibly be.
But I am always afraid, because of my dreams. My dreams have been very
bad all night.
I was in the potager most of the morning, working hard.
In the afternoon some neighbors came to tea. They came from quite far,
motoring across the forests, and none of them had known the house.
I loved showing them the old place that is not mine, the colours that
are faded and worn till they have become beautiful, the things that by
much belonging together are fallen into harmony.
I do not believe that the people of these old houses can love them
quite as hopelessly as strangers do.
There is a certain special peculiar château smell, that trails down
long galleries, and lingers on the stairs, that lurks in far corners of
the rooms, and abides in all the cupboards, and behind the tapestries,
and in the big carved chests, that clings to wood and waxed floors and
stone, and stirs along the heavy sombre walls, and that means France,
like the smell of old gardens of box and yew. It stabs one--always the
arrowy perfume--and makes one feel France with an odd intensity. From a
far way off one would be homesick remembering it.
We had Monsieur Pigot's tarts for tea, and sat for a long time about
the dining-room table, talking of how afraid we had been of war,
yesterday.
We went up into the Dungeon Tower and down into the souterrains, and
then all along the rampart walls.
I love the way the little town crowds up close to the ramparts, the
cobbled grass-grown streets, the roofs all softened and coloured by
ages and weathers.
Public-domain text, read in full here on John Shaqi.
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