Sometimes the door of the operating room is ajar, and one can see in a
little, and that is horrible. People go in and out, the doctors, and
Madame Laure, fetching and carrying things. The stretcher of the man
who has been taken in is left pulled back against the wall, by that of
the man who is waiting his turn. I stand very close to my cart and pat
the blankets.
The men like to have one wait with them. There is a thing many of them
say. It is a dull thing, and touching, as sometimes dull things are.
They will say, over and over, "If you were not here, I should be alone.
If you were not here, I should be alone."
But when the doctors come, with the chloroform, it is only of his
mother the man thinks. He says, "Oh, maman! Oh, maman!" and keeps all
the time saying it till he sleeps.
The adjutant, the new Number 12, says that you can hear them calling
maman all the time when they lie wounded between the trenches, wounded
and one cannot get to them to pick them up. He says it is the last word
they call before they are still.
The Patronne
I take off my cloak and blue veil in the patronne's room.
The patronne is usually sitting at her desk. Sometimes she says good
morning to me, and sometimes she doesn't.
She used to be fille de salle in this hospital, she used to clean
these stairs and corridors; then she rose to be infirmière in the ward
where I work now, and then panseuse. She is a huge gaunt raw-boned
sorrel-coloured woman, who looks like a war-horse. She is so alive
and quick that you feel her personality stronger than anything in the
hospital, than anything, you think, anywhere. I have seen her seem
stronger than death--driving death away.
When Number 17 was so very ill, I think it was she who drove death
away from his bed. She worked and swore, and worked and swore. It was
hideous. I laugh when I remember. Afterwards I found her outside in the
corridor, sitting on the bench. He was going to get well. I cried; and
she swore at me till I laughed.
Big red blotches come out on her arms when she is excited, and get
purple when she is tired. If you visit the hospital, you do not know
what to think of her. But if you work there you admire her, and are
proud when she speaks to you kindly. It is an illumined day if by
chance she says to you, "Bon jour, ma crotte."
Madame Marthe Again
I don't know at all how it happens that a little white mouse of a woman
of the people, who has worked and worked all her life, and never been
cared for by anybody, should have beautiful hands. But Madame Marthe
has beautiful hands. Her hands are small and quick and absolutely
sure. They tremble when things are bad, but in spite of that they are
certain and sure. They never make a mistake. And they are not afraid of
anything.
Sometimes my hands are afraid to touch things, and then I am ashamed.
Sometimes I pretend not to see things that are fallen on the floor, and
when she picks them up, I am so ashamed.
Public-domain text, read in full here on John Shaqi.
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