But since Sunday I have so strange a feeling, a sense of its being the
end of things. The end of--I don't know what. I want to make notes
of things, not of the great things that are happening, but of the
little things. I want to feel especially all the little everyday dear
accustomed things, to take hold of the moods of them, and gather up
their memories, to be put away and kept, and turned back to always
afterwards.
I want to make notes of the sweetness of my room to wake to, all the
garden coming in through the drawn blinds.
I want to put away and keep my memory of the fragrance of the garden,
and its little voices, bird and bee and grasshopper and cricket and
stirring leaf. I want to remember things I saw from my window--the
terrace with its grey stone mossy parapet; the steps between the pots
of heliotrope and roses; the parterres, the old vague statues, the
crouching sphynxes--beautiful because they are broken and deep in
roses--the trimmed yews, the paths and box borders and formal beds of
flowers; the wall of trees around; the glimpses through the trees of
the town's stained, blurred roofs, and of grain fields and the forests.
I want to remember the little clover leaf table for my breakfast tray,
the bowl of sweet-peas, the taste of the raspberries.
I want to remember the Long Gallery, the château smell in it; the clear
green stir of the limes in the entrance court under its windows; the
stairs that I kept dreaming about, with the dark Spanish pictures hung
along them, and the armour on their turnings.
I want to remember the bird's nest in the lantern over the entrance
door, and the begonias in the beds along the wall; the big dogs
dragging at their chains to come and meet me, the huge tumbling puppy,
the gardener's babies, Thérèse and Robert, bringing Thérèse's new rag
doll to show me.
I started, motoring, only about 10 o'clock for Paris.
It was market day in the Place; there were the rust-red and burnt-umber
awnings and the women's blue aprons and clattering sabots.
There were many magpies in the road. "Une pie, tant pis; deux pies,
tant mieux," and one must bow nine times to each of them.
The country was dim and blue in the gauze lights of the morning.
The road was empty between the poplar trees. It was good to see the
peasants at work in the fields, and the life of the villages going its
way in the morning streets.
I tried to get the papers in Compiègne, but they were not yet come.
There were many soldiers about.
It was the road through Senlis and Chantilly.
The trainers had the race-horses out at exercise in the misty forest
roads.
I thought, "There _can't_ be war."
Luzarches and Ecouen, and St. Denis and then Paris.
Public-domain text, read in full here on John Shaqi.
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