seem, however, to take great delight in it; and even a number of the men, as well as all the children, crept into the hut by degrees to peep at the performance. The Esquimaux women and children often amuse themselves with a game not unlike our “skip-rope.” This is performed by two women holding the ends of a line and whirling it regularly round and round, while a third jumps over it in the middle according to the following order:—She commences by jumping twice on both feet, then alternately with the right and left, and next four times with the feet slipped one behind the other, the rope passing once round at each jump. After this she performs a circle on the ground, jumping about half-a-dozen times in the course of it, which bringing her to her original position, the same thing is repeated as often as it can be done without entangling the line. One or two of the women performed this with considerable agility and adroitness, considering the clumsiness of their boots and jackets, and seemed to pride themselves in some degree on the qualification. A second kind of this game consists in two women holding a long rope by its ends and whirling it round in such a manner, over the heads of two others standing close together near the middle of the bight, that each of these shall jump over it alternately. The art therefore, which is indeed considerable, depends more on those whirling the rope than on the jumpers, who are, however, obliged to keep exact time, in order to be ready for the rope passing under their feet. The whole of these people, but especially the women, are fond of music, both vocal and instrumental. Some of them might be said to be passionately so, removing their hair from off their ears and bending their heads forward, as if to catch the sounds more distinctly, whenever we amused them in this manner. Their own music is entirely vocal, unless indeed the drum or tambourine before mentioned be considered an exception. The voices of the women are soft and feminine, and when singing with the men are pitched an octave higher than theirs. They have most of them so far good ears that, in whatever key a song is commenced by one of them, the rest will always join in perfect unison. After singing for ten minutes, the key had usually fallen a full semitone. Only two of them, of whom Iligliuk was one, could catch the tune as pitched by an instrument; which made it difficult with most of them to complete the writing of the notes, for if they once left off they were sure to re-commence in some other key, though a flute or violin were playing at the time.