The sun had scarcely risen half-way to the meridian when the head of the sacrificial procession streamed forth from the Temple of Peace, in the wide forum belonging to which its component parts had been collected and arranged. Preceded by banners came the pontiffs of the sacred college, walking under silken canopies to shield their persons from the sun's burning rays. They were followed by the augurs in saffron and purple togas, wearing on their heads the conical caps with spikes of olive-wood, and carrying the litui--long staffs with golden crooks at the ends [Note 1]. Then came the tubicini, or trumpeters, sounding loudly on their curved instruments of bronze with shrill notes, and the tubas, straight silver trumpets, hollowing them, with various ensigns and insignia, emerged the chief flamens, wearing the laena and apex, with wreaths of laurel. Now, after a profusion of banners, appeared a chariot drawn by four white steeds, richly adorned with wreaths, bearing along a magnificent statue of Jupiter Tonans [Note 2], with thunderbolts in hand, followed by superb statues, larger than life, of Mars, Apollo, Juno, Venus, and Minerva--the goddesses habited in robes either supplied by pious matrons or from the properties of the temples. The car of Juno, adorned with peacocks' feathers [Note 3], that of the Cytherean Venus, with apple in hand, was drawn along, her car bearing imitations of swans and doves, and ornamented with wreaths of myrtle and roses. The car of Minerva followed, the goddess represented by a gigantic statue, a sphinx in the middle of the helmet, supported on either side by griffins, while standing on her car were huge dragons, cocks, and owls, with branches of the olive-tree arranged upon it. All these cars were drawn, not by horses, but by young patricians, who eagerly sought the opportunity to perform so grateful a service to the deities they worshipped. In a long line came other gods and goddesses, not seated in cars, but placed on high platforms, carried by men, some appearing singly and others in groups, representing the various actions for which they were renowned. Between each god or goddess walked youths, swinging censers, emitting as they moved them to and fro sweet odours grateful to their divinities. The bearers of the almost countless images were, like those who drew the chariots, mostly patricians, or young men of wealth of plebeian family, who thus sought an easy mode of exhibiting their piety. Now came, preceded by lictors with their fasces, the vestal virgins, seated in silver chariots drawn by milk-white steeds, followed closely by another band of flamens, leading a long line of hostia (oxen to be sacrificed), their horns richly gilded, their heads adorned with wreaths, each animal led by a victimarius. So numerous were they, that it appeared as if the line would never end; for Coecus had arranged to offer up a whole hecatomb of victims.