Joyce Kilmer : $b poems, essays and letters in two volumes. Volume 2, prose worksKilmer, Joyce
History
Joyce Kilmer : $b poems, essays and letters in two volumes. Volume 2, prose works
Kilmer, Joyce
American essays; American literature; Kilmer, Joyce, 1886-1918 -- Correspondence
Now Madame, a woman of some forty years, was a true _bourgeoise_, with
all the thrift of her class. And by the terms of her agreement with the
authorities she was required to let the soldiers have for one night the
attic of her house to sleep in--nothing more; no light, no heat. Also,
wood is very expensive in France--for reasons that are engraven in
letters of blood on the pages of history. Nevertheless--
“Assez-vous, s’il vous plait,” said Madame. And she brought nearer to
the fire all the chairs the establishment possessed and some chests and
boxes to be used as seats. And she and the little girl, whose name was
Solange, went out into the snow and came back with heaping armfuls of
small logs. The fire blazed merrily--more merrily than it had blazed
since August, 1914, perhaps. We surrounded it, and soon the air was
thick with steam from our drying socks.
Meanwhile Madame and the Sergeant had generously admitted all eleven
of us into their conversation. A spirited conversation it was, too, in
spite of the fact that she knew no English and the extent of his French
was “du pain,” “du vin,” “cognac” and “bon jour.” Those of us who knew
a little more of the language of the country acted as interpreters for
the others. We learned the names of the children and their ages. We
learned that our hostess was a widow. Her husband had fallen in battle
just one month before our arrival in her home. She showed us with
simple pride and affection and restrained grief his picture. Then she
showed us those of her two brothers--one now fighting at Salonica, the
other a prisoner of war--of her mother and father, of herself dressed
for First Communion.
This last picture she showed somewhat shyly, as if doubting that we
would understand it. But when one of us asked in halting French if
Solange, her little daughter, had yet made her First Communion, then
Madame’s face cleared.
“Mais oui!” she exclaimed. “Et vous, ma foi, vous etes Catholiques,
n’est-ce pas?”
At once rosary beads were flourished to prove our right to answer this
question affirmatively. Tattered prayer-books and somewhat dingy
scapulars were brought to light. Madame and the children chattered
their surprise and delight to each other, and every exhibit called for
a new outburst.
“Ah, le bon S. Benoit! Ah, voilà, le Conception Immacule! Ooh la la, le
Sacre Coeur!” (which last exclamation sounded in no wise as irreverent
as it looks in print).
Now other treasures, too, were shown--treasures chiefly photographic.
There were family groups, there were Coney Island snapshots. And Madame
and the children were a gratifyingly appreciative audience. They
admired and sympathized; they exclaimed appropriately at the beauty
of every girl’s face, the tenderness of every pictured mother. We had
become the intimates of Madame. She had admitted us into her family and
we her into ours.
Public-domain text, read in full here on John Shaqi.
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