French fiction -- Translations into English; Love stories
Ten days went by without any event occurring to trouble the peace and
solitude of the house. Montefiore employed his Italian cajolery on old
Perez, on Dona Lagounia, on the apprentice, even on the cook, and they
all liked him; but, in spite of the confidence he now inspired in them,
he never asked to see Juana, or to have the door of her mysterious
hiding-place opened to him. The young girl, hungry to see her lover,
implored him to do so; but he always refused her from an instinct of
prudence. Besides, he had used his best powers and fascinations to lull
the suspicions of the old couple, and had now accustomed them to see
him, a soldier, stay in bed till midday on pretence that he was ill.
Thus the lovers lived only in the night-time, when the rest of
the household were asleep. If Montefiore had not been one of those
libertines whom the habit of gallantry enables to retain their
self-possession under all circumstances, he might have been lost a dozen
times during those ten days. A young lover, in the simplicity of a
first love, would have committed the enchanting imprudences which are
so difficult to resist. But he did resist even Juana herself, Juana
pouting, Juana making her long hair a chain which she wound about his
neck when caution told him he must go.
The most suspicious of guardians would however have been puzzled to
detect the secret of their nightly meetings. It is to be supposed
that, sure of success, the Italian marquis gave himself the ineffable
pleasures of a slow seduction, step by step, leading gradually to the
fire which should end the affair in a conflagration. On the eleventh
day, at the dinner-table, he thought it wise to inform old Perez, under
seal of secrecy, that the reason of his separation from his family was
an ill-assorted marriage. This false revelation was an infamous thing
in view of the nocturnal drama which was being played under that roof.
Montefiore, an experienced rake, was preparing for the finale of that
drama which he foresaw and enjoyed as an artist who loves his art. He
expected to leave before long, and without regret, the house and his
love. It would happen, he thought, in this way: Juana, after waiting for
him in vain for several nights, would risk her life, perhaps, in asking
Perez what had become of his guest; and Perez would reply, not aware of
the importance of his answer,--
“The Marquis de Montefiore is reconciled to his family, who consent to
receive his wife; he has gone to Italy to present her to them.”
And Juana?--The marquis never asked himself what would become of Juana;
but he had studied her character, its nobility, candor, and strength,
and he knew he might be sure of her silence.
Public-domain text, read in full here on John Shaqi.
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