French fiction -- Translations into English; Love stories
any hour, in any place, that story, that bit of news, that scandal;
do not ask what prompts him. That telegraph is a social mystery;
no observer can report its effects. Of many extraordinary instances
thereof, one may suffice: The assassination of the Duc de Berry, which
occurred at the Opera-house, was related within ten minutes in the
Ile-Saint-Louis. Thus the opinion of the 6th of the line as to its
quartermaster filtered through society the night on which he gave his
first ball.
Diard was therefore debarred from succeeding in society. Henceforth his
wife alone had the power to make anything of him. Miracle of our strange
civilization! In Paris, if a man is incapable of being anything himself,
his wife, when she is young and clever, may give him other chances
for elevation. We sometimes meet with invalid women, feeble beings
apparently, who, without rising from sofas or leaving their chambers,
have ruled society, moved a thousand springs, and placed their husbands
where their ambition or their vanity prompted. But Juana, whose
childhood was passed in her retreat in Tarragona, knew nothing of the
vices, the meannesses, or the resources of Parisian society; she looked
at that society with the curiosity of a girl, but she learned from it
only that which her sorrow and her wounded pride revealed to her.
Juana had the tact of a virgin heart which receives impressions in
advance of the event, after the manner of what are called “sensitives.”
The solitary young girl, so suddenly become a woman and a wife, saw
plainly that were she to attempt to compel society to respect her
husband, it must be after the manner of Spanish beggars, carbine in
hand. Besides, the multiplicity of the precautions she would have to
take, would they meet the necessity? Suddenly she divined society as,
once before, she had divined life, and she saw nothing around her but
the immense extent of an irreparable disaster. She had, moreover, the
additional grief of tardily recognizing her husband’s peculiar form
of incapacity; he was a man unfitted for any purpose that required
continuity of ideas. He could not understand a consistent part, such as
he ought to play in the world; he perceived it neither as a whole nor
in its gradations, and its gradations were everything. He was in one of
those positions where shrewdness and tact might have taken the place
of strength; when shrewdness and tact succeed, they are, perhaps, the
highest form of strength.
Public-domain text, read in full here on John Shaqi.
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