French fiction -- Translations into English; Love stories
But all this took time. When at last he mounted the stairs to Juana’s
room he was calm and collected, and able to reflect on his position,
which resolved itself into two ideas: to leave the house, and get to the
wharves. He did not _think_ these ideas, he _saw_ them written in fiery
letters on the darkness. Once at the wharves he could hide all day,
return at night for his treasure, then conceal himself, like a rat,
in the hold of some vessel and escape without any one suspecting
his whereabouts. But to do all this, money, gold, was his first
necessity,--and he did not possess one penny.
The maid brought a light to show him up.
“Felicie,” he said, “don’t you hear a noise in the street, shouts,
cries? Go and see what it means, and come and tell me.”
His wife, in her white dressing-gown, was sitting at a table, reading
aloud to Francisque and Juan from a Spanish Cervantes, while the boys
followed her pronunciation of the words from the text. They all three
stopped and looked at Diard, who stood in the doorway with his hands in
his pockets; overcome, perhaps, by finding himself in this calm scene,
so softly lighted, so beautiful with the faces of his wife and children.
It was a living picture of the Virgin between her son and John.
“Juana, I have something to say to you.”
“What has happened?” she asked, instantly perceiving from the livid
paleness of her husband that the misfortune she had daily expected was
upon them.
“Oh, nothing; but I want to speak to you--to you, alone.”
And he glanced at his sons.
“My dears, go to your room, and go to bed,” said Juana; “say your
prayers without me.”
The boys left the room in silence, with the incurious obedience of
well-trained children.
“My dear Juana,” said Diard, in a coaxing voice, “I left you with very
little money, and I regret it now. Listen to me; since I relieved you
of the care of our income by giving you an allowance, have you not, like
other women, laid something by?”
“No,” replied Juana, “I have nothing. In making that allowance you did
not reckon the costs of the children’s education. I don’t say that to
reproach you, my friend, only to explain my want of money. All that you
gave me went to pay masters and--”
“Enough!” cried Diard, violently. “Thunder of heaven! every instant is
precious! Where are your jewels?”
“You know very well I have never worn any.”
“Then there’s not a sou to be had here!” cried Diard, frantically.
“Why do you shout in that way?” she asked.
“Juana,” he replied, “I have killed a man.”
Juana sprang to the door of her children’s room and closed it; then she
returned.
“Your sons must hear nothing,” she said. “With whom have you fought?”
“Montefiore,” he replied.
“Ah!” she said with a sigh, “the only man you had the right to kill.”
“There were many reasons why he should die by my hand. But I can’t lose
time--Money, money! for God’s sake, money! I may be pursued. We did not
fight. I--I killed him.”
“Killed him!” she cried, “how?”
Public-domain text, read in full here on John Shaqi.
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