It arrived before the meal, materializing against one of the seven walls of the roofless chamber. It was a large cabinet on slender straight legs that resembled dark polished wood. Tennant went to it, opened a hingeless door and pushed a knob on the inner surface. At once the air was hideous with the acerate harmony of a singing commercial.... ... so go soak your head, be it gold, brown or red, in Any-tone Shampoo! A disc jockey's buoyant tones cut in quickly as the final _ooooo_ faded. "This is Grady Martin, your old night-owl, coming to you with your requests over Station WZZX, Manhattan. Here's a wire from Theresa McManus and the girls in the family entrance of Conaghan's Bar and Grill on West...." Tennant watched the girls as a sweet-voiced crooner began to ply an unfamiliar love lyric to a melody whose similarity to a thousand predecessors doomed it to instant success. Olga sat up straight, her pale blue eyes round with utter disbelief. She looked at the radio, at Tennant, at the other two women, then back at the machine. She murmured something in Polish that was inaudible, but her expression showed that it must have been wistful. Eudalia grinned at Tennant and, rising, did a sort of tap dance to the music, then whirled back into her chair, green dress ashimmer, and sank into it just to listen. Dana stood almost in the center of the room, carmine-tipped fingers clasped beneath the swell of her breasts. She might have been listening to Brahms or Debussy. Her eyes glowed with the salty brilliance of emotion and she was almost beautiful. "_Rog!_" she cried softly when the music stopped. "A radio and WZZX! Is it--are they--real?" "As real as you or I," he told her. "It took quite a bit of doing, getting them to put a set together. And I wasn't sure that radio would get through. TV doesn't seem to. Somehow it brings things closer...." Olga got up quite suddenly, went to the machine and, after frowning at it for a moment, tuned in another station from which a Polish-speaking announcer was followed by polka music. She leaned against the wall, resting one smooth forearm on the top of the machine. Her eyes closed and she swayed a little in time to the polka beat. * * * * * Tennant caught Dana looking at him and there was near approval in her expression--approval that faded quickly as soon as she caught his gaze upon her. The food arrived then and they sat down at the round table to eat it. Tennant's meat looked like steak, it felt like steak, but, lacking the aroma of steak, it was almost tasteless. This was so with all of their foods, with their cigarettes, with everything in their prison--or their cage. Their captors were utterly without a human conception of smell, living, apparently, in a world without odor at all. Dana said suddenly, "I named the boy Tom, after somebody I hate almost as much as I hate you."