Racially mixed people -- Fiction; Western stories; Wyoming -- Fiction
Kitty had come to the point where she was willing to waive the
Récamier-Chateaubriand friendship in favor of one more personal and
ordinary. In fact, as Peter showed a disposition to regard as final her
answer to him on the day he had spurred across the desert, Kitty, with
true feminine perversity, inclined to permit him to resume his suit.
His acquiescence in her refusal she had at first regarded as the
turning of the worm; after the wolf-hunt, however, her meditations were
more disturbing. She had never told Peter of that strange woodland
meeting with Judith, yet Judith’s beauty, her probable hold over Peter,
the degree of his affection for her were rankling questions in Kitty’s
consciousness. In the stress of these considerations Kitty lost her
head completely for so old a campaigner. She drew the apron-string
tight—attempted force instead of strategy.
Kitty and Peter finished their waltz, one of the few round dances of
the evening.
“How perfectly you dance, Kitty! It’s a long time since we’ve had a
waltz together.”
The cow-punchers looked at Kitty as if she were not quite flesh and
blood. Such flaxen daintiness, femininty etherealized to angelic
perfection, was new to them, but their admiration was like that given
to a delicate exotic which, wonderful as it is, one is well pleased to
view through the glass of the florist’s window.
Peter was deferentially attentive and zealous to make the Wetmore party
have a thoroughly good time, yet he did all these things, as it were,
with his eye on the door. He was not obviously distrait; he was the man
of the world, talking, making himself agreeable, “doing his duty,”
while his subconsciousness was busy with other matters. It was rather
through telepathy than through any lack of attention paid to her that
Kitty realized the state of things, and in proportion to her
realization came a feeling of helplessness; it was so new, so
unexpected, so cruel. He seemed drifting away from her on some tide of
affairs of the very existence of which she had been unconscious.
Further and further he had drifted, till intelligible speech no longer
seemed possible between them. They said the foolish, empty things that
people call out as the boat glides away from the shore, the things that
all the world may hear, and in his eyes there was only that smiling
kindness. How had it come about after all these years? What was it that
had first cut the cable that sent him drifting? What was it? She must
think. Oh, who could think with that noise! How silly was their singing
as they danced, how uncouth!
“All dance as pretty as you can,
Turn your toes and left alleman;
First gent sashay to the right,
Now swing the girl you last swung about,
And now the one that’s cut her out,
And now the one that’s dressed in white,
And now the belle of the ball.”
Public-domain text, read in full here on John Shaqi.
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