Racially mixed people -- Fiction; Western stories; Wyoming -- Fiction
The dancers seemed bitten to the quick with the tarantula of an
ecstatic hilarity; their bodies swayed in perfect harmony to the swing
of the fiddles and the swell of the chorus. The most uncouth of them
came under the spell of that mad magic. Their movements, that in the
beginning of the dance had been shy and awkward, became almost
beautiful; they forgot arms, hands, feet; their bodies had become like
the strings of some skilfully played instrument, obediently responsive
to rhythm, and in that composite blending of races each in his dancing
brought some of the poetry of his own far land. The scene was amazing
in its beauty and simplicity, like the strong, inspirational power and
rugged rhythm of some old border minstrel. One by one the dancers
glowed with better understanding; discordant elements, alien nations
were fused to harmony in this vivid picture.
Peter turned to Kitty, expecting to see her face aglow with the warmth
of it. She stood beside him, the one unresponsive soul in the room, on
her lips a pale, tolerant smile.
“Aren’t they splendid, Kitty, these women? More than half of them work
like beavers all day, and they have young children and dozens of
worries, but would you suspect it? They’re just the women for this
country.”
Now in the present state of affairs almost any other subject would have
been better calculated to promote good feeling than the one on which
Peter had alighted. Kitty’s thoughts had perversely lingered about one
who, though not one with these women, had yet their sturdy
self-reliance, their acquiescence in grim conditions, their pleasure in
simple things. Kitty’s apprehension, slow to kindle, had taken fire
like a forest, and by its blaze she saw things in a distorted light;
her present vision magnified the relations of Peter and Judith to a
degree that a month ago she would have regarded as impossible. “He is
her lover!” was the accusation that suddenly flashed through her mind,
and with the thought an overwhelming desire to say something unkind,
something that should hurt him, supplanted all judgment and reason.
“Oh, it’s a decidedly remarkable scene, pictorially, I agree with you.
And an artist, of course—but isn’t it a trifle quixotic, Peter, to
idealize them because they are having a good time? There’s no virtue in
it. It is conceivable that they might have to work just as hard and
have just as many little children to look after, and yet not have these
dances you praise them for coming to.”
“I’m afraid you find us and our amusements a little crude. Evidently
the spirit of our dances does not appeal to you; but I did not suppose
it necessary to remind you that they should not be judged by the
standard of conventional evening parties,” said Peter, hurt and angry
in his turn.
Public-domain text, read in full here on John Shaqi.
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