“Us, our amusements, our dances? So you are quite identified with these people, my dear Peter, and I had thought you an ornament of cotillions and country clubs. I can only infer that it is somebody in particular who has brought about your change of heart.” Peter flushed a little, and Kitty kept on: “Some of the native belles are quite wonderful, I believe. Nannie Wetmore tells of a half-breed who is very handsome.” Peter set his lips. “At the expense of spoiling Nannie’s pretty romance, I must tell you that the lady she refers to is not only the most beautiful of women, but she would be at ease in any drawing-room. It would be as ridiculous to apply the petty standards of ladyhood to her as it would to—well, imagine some foolish girl bringing up the question at a woman’s club—‘Was Joan of Arc a lady?’” Peter spoke without calculating the conviction that his words carried. He was angry, and his manner, voice, intonation showed it. Kitty, now that her most unworthy suspicions had been confirmed by Peter’s ardent championing of Judith, lost her discretion in the pang that gnawed her little soul: “I beg your pardon, Peter. When I spoke I did not, of course, know that this young woman was anything to you.” “Anything to me? My dear Kitty, I’ve never had a better friend than Judith Rodney.” The dance was at its flood-tide. The exhilaration had grown with each sweep of the fiddle-bow, with the sorcery of sinuous, swaying bodies, with the song of the dancers as they joined in the calling out of the figures, with the rhythmic shuffle of feet, with the hum of the pulses, with the leaping of blood to cheek and heart till the dancers whirled as leaves circling towards the eddies of a whirlpool. The dancing Mrs. Dax split her favors into infinitesimal fragments, for each measure of which her long list of waiting gallants stood ready to pick a quarrel if need be. Her dancing, in the splendor of its spontaneity, had something of the surge of the west wind sweeping over a field of grain. Sometimes she waved back her partner and alone danced a figure, putting to the music her own interpretation—barbaric, passionate, rude, but magnificently vivid. And the dancers would stop and crowd about her, clapping hands and stamping feet to the rhyming movement of her body, while against the wall her hostile sister-in-law, Mrs. Leander, stood and glared in a fury of disapproval, Leander himself smiling broadly meanwhile and exercising the utmost restraint to keep from joining Mrs. Johnnie’s train.