Racially mixed people -- Fiction; Western stories; Wyoming -- Fiction
Mary stood helpless in the wilderness while quilts and pillows were
fetched somewhere from the adjacent scenery, and Mrs. Yellett asked
her, with the gravity of a Pullman porter interrogating a passenger as
to the location of head and foot, if she liked to sleep “light or
dark.” She chose “dark” at random, hating to display her ignorance of
the alternatives, with the happy result that her bed was made up to
leeward of the great sheep-wagon, in a nice little corner of the State
of Wyoming. Mary was grateful that she had chosen dark.
As she dozed off, she was reminded of a certain magazine illustration
that Archie had pinned over his bed after the aunts had given a
grudging consent to this westward journey. There was a line beneath the
pictorial decoy which read: “Ranch Life in the New West.” And there
were piazzas with fringed Mexican hammocks, wild-grass cushions, a
tea-table with a samovar, and, last, a lady in white muslin pouring
tea. The stern reality apparently consisted in scorching alkali plains,
with houses of the packing-box school of architecture at a distance of
seventy or eighty miles apart. No ladies in white muslin poured tea;
they garbed themselves in simple gunny-sacking, and their repartee had
an acrid, personal note. But Mary was glad to know that Archie had that
picture, and that he thought of her in such ideal surroundings.
X.
On Horse-thief Trail
Judith, on her black mare, Dolly, left the Dax ranch after the mid-day
meal to go in quest of her brother. He had left his comfortable cabin
on the Bear Creek, when he had turned rustler, and moved into the “bad
man’s country,” one of those remote mountain fastnesses that abound in
Wyoming and furnish a natural protection to the fugitive from justice.
Judith took the left fork of the road even as Peter Hamilton had chosen
the right, the day she had watched him gallop towards Kitty Colebrooke
with never a glance backward. Judith strove now to put him and the
memory of that day from her mind by turning towards the open country
without a glance in the direction he had taken. But her thoughts were
weary of journeying over that trail that she would not look towards; in
imagination she had travelled it with Peter a hundred times, saw each
dip and turn of the yellow road, each feature of the landscape as he
rode exultant to Kitty, to be turned, tried, taken or left as her mood
should prompt. But Judith was more woman than saint, and in her heart
there was a blending of joy and pain. For she knew—such skill has love
in inference from detail—that the mysterious far-away girl, who was so
powerful that she could have whatever she wanted, even to Peter, loved
her own ambitions better than she did Peter or Peter’s happiness, and
that she would not marry him except as a makeshift. For Miss Colebrooke
wrote verses; Peter had a white-and-gold volume of them that Judith
fancied he said his prayers to.
Public-domain text, read in full here on John Shaqi.
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