Racially mixed people -- Fiction; Western stories; Wyoming -- Fiction
As for Peter himself, he had never been able to explain the magic Kitty
had brewed for him. There was a heady quality in the very ring of her
name. His first glimpse of her, on Class Day, in a white gown and a hat
that to his manly indiscrimination looked as guileless as a sheaf of
poppies nodding above the pale-yellow hair that had the sheen of
corn-silk, had been a vision that stirred in him heroic promptings. He
had no difficulty in securing an introduction. She was a connection of
the Wetmores, as was he, though through opposite sides of the house. In
the few minutes’ talk that followed, he had the disconcerting sensation
of being “talked down to.” There was the indulgent tolerance of the
woman of the world to the “nice boy” about this amazing young woman,
who might have been eighteen. Hamilton had repudiated the very
suggestion of being a “nice boy.” But he felt himself blushing, groping
for words, saying stupid things, supplying every requisite of the “nice
boy” as if he were acting the part. Her chaperon bore her away
presently, and he was left with a radiant impression of corn-silk hair
and a complexion that justified Bouguereau’s mother-of-pearl flesh
tints. And when she had tilted the ruffled lace parasol over her
shoulder, so that it framed her head like a fleecy halo, he had seen
that her eyes were green as jade. Withal he had a sense of having
acquitted himself stupidly.
Later, when he ran the gamut of some friends, they had chaffed him on
his hardihood. By Jove! He had nerve to look at her! Didn’t he know she
was “the” Miss Colebrooke? Now Hamilton was absolutely ignorant of Miss
Colebrooke’s right of way to the definite article, but it was
characteristic of him to make no inquiries. On the whole, he found the
situation meeting with a greater number of the artistic requirements
than such situations usually presented. He was still dallying with this
pleasant vagueness of sensation when he picked up a copy of a magazine,
and the name Katherine Colebrooke caught his eye and held it like the
flight of a comet. Her contribution was a sonnet entitled “The
Miracle.” As a naïve emotional confession, “The Miracle” interested
him; as a sonnet, he rent it unmercifully.
Public-domain text, read in full here on John Shaqi.
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