"Let it be!" said Thaddeus. "You have not heard the new version." For,
since several Jewish farmers in Eastern Galicia had proven their
interest in Polish literature by showing him hospitality for a few
days, he had transformed entirely the story of Casimir the Great and
his Jewish mistress. "That will fit in splendidly to-day," he thought,
"and I may perhaps receive one hundred gulden!" For he had heard of the
scene in the ballroom, and the character of his host was a guarantee
that Judith and the count had not been brought together on this
occasion by accident.
He began to read; the first verses quieted the apprehensions of the
head of the house. The former version had shown what a pestilence the
Jewish element had been in Poland, but this showed how the chosen
people of the Old Testament had found a sanctuary in the poet's native
land; and how Casimir, for love of the beautiful Esther, had granted
charters to the Jews, and finally made a queen of his beloved. The poem
closed with an ardent appeal to charity and fraternity.
Again all was still. "Excellent!" murmured the host, glancing at the
count. Entranced, he gazed at the excited face of the beautiful girl
opposite him. Judith did not notice him. Breathing deeply, she sat with
eyes half closed, buried in thought, carried away by the emotions
aroused by the poem. She had never before heard of the beautiful
Esther. It was a revelation that the boundaries which she had felt so
bitterly the past few days had not been set by nature; that there had
been a time when they had not existed; that there had been a queen of
Poland who had been a Jewess, and that it had been neither forbidden by
God nor hindered by man. And then again she experienced that not
inscrutable emotion which had stirred within her since the event of the
ballroom; though, to be sure, a count was not a king, but-- She aroused
herself as if to shake off these thoughts, and met the fixed fiery gaze
of the count. She started, and, blushing deeply, arose as if to take
flight.
"Admirable!" Wroblewski repeated, with sincerity. "But now I must
manage to arrange a private chat," he added to himself.
"Now, my dear poet, please let us have the Venus songs." He grinned
like a faun. "They are splendid count, I assure you."
The poet put out his hand for the dilapidated manuscript, for these
poems were the ones most in demand; but the count interfered. "I
think," he said, decidedly, "we had better ask Herr von Wiliszenski for
something else better fitted for the ears of ladies."
Public-domain text, read in full here on John Shaqi.
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