Julia And Her Romeo: A Chronicle Of Castle Barfield: From "Schwartz" by David Christie Murray — John Shaqi
Julia And Her Romeo: A Chronicle Of Castle Barfield: From "Schwartz" by David Christie MurrayMurray, David Christie
General
Julia And Her Romeo: A Chronicle Of Castle Barfield: From "Schwartz" by David Christie Murray
Murray, David Christie
Fiction
Julia slept through the tumult as she had slept through the calm, and
Mrs. Jenny, kneeling beside her with her face in the bedclothes, moaned
love and penitent despair. Samson raised his head at last, and looked
with a dazed stare first at his daughter and then at his wife, and left
the room without a word, pursued by a hailstorm of reproach. He went
into the yard and pottered aimlessly about, looking old and broken on
a sudden. The sound of horses’ hoofs roused him; it was the rustic
messenger returning. ‘Where’s the doctor?’ demanded Samson. ‘Gone to
Heydon Hey. What am I to dew?’ ‘Follow him an’ fetch him back. Hast not
gumption enough to know that?’ asked Samson wearily. The man started
again, and Samson began once more his purposeless wanderings about the
yard. He had no sense of time or place, only a leaden weight on heart
and limb, which in all his life he had never known before. He leaned his
elbows on the fence of the fold yard, and became conscious of a running
figure which neared him rapidly. He watched it stupidly, and it was
within twenty yards of him before he recognised it--Dick Reddy, dust and
mud to the collar, hatless, and panting.
‘Julia!’ he gasped. ‘Tell me, is it true?’ ‘Julia’s dyin,’ said Samson.
‘My God!’ he cried, with sudden passion, as if his own voice had
unlocked the sealed fountain of his grief, ‘my little gell’s a-dyin’!’
‘Mr. Mountain,’ said Dick, ‘I love her, you know I love her. Let me see
her.’ His voice, broken with fatigue and emotion, his streaming eyes,
his outstretched hands, all pleaded with his words.
‘It’s all one who sees her now,’ said Samson, and leaned his elbows on
the fence again. Dick took the despairing speech for a permission,
and entered the house. At the bottom of the stairs, in the otherwise
deserted hall, he met Mrs. Jenny, a very moving statue of terror.
‘Dick,’ she said, clutching the young man by the arm, ‘I can’t abear it
any longer. Come in here wi’ me.’ She pulled him into a side room, and
sitting down, abandoned herself to weeping, wringing her hands, and
moaning.
‘I can’t abear it any longer,’ she repeated. ‘I must tell somebody, an’
I’ll tell you. It’s all my wicked cruel fault.’
The old woman was so crazed with her secret that she would have spoken
in the shadow of the gibbet. Ramblingly and incoherently, with many
breaks for tears and protestations and self-accusation, she told her
story.
Public-domain text, read in full here on John Shaqi.
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