Julia Ward Howe, 1819-1910Richards, Laura Elizabeth Howe
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Julia Ward Howe, 1819-1910
Richards, Laura Elizabeth Howe
Authors, American -- 19th century -- Biography; Feminists -- United States -- Biography; Howe, Julia Ward, 1819-1910
"Sir," he said, "you are fond of blasphemy; I am fond of prayer. This is
a public conveyance, and for the remainder of our journey, as often as
you swear aloud, I shall pray aloud, and we will see who comes off
best." The swearing stopped!
In his later years, he met one day a parishioner clad in deep mourning
for a near relative. The old clergyman laid his hand on the crape
sleeve. "What!" he said sternly. "Heathen mourning for a Christian
saint!"
But of all the uncles (and there were many) the beloved Uncle John Ward
was always first. Of him, through many years Julia's devoted friend and
chief adviser, we shall speak later on.
We have dwelt upon the generation preceding our mother's, because all
these people, the beautiful mother so early lost, so long loved and
mourned, the sternly devoted father, the vivacious aunts, the stalwart
uncles, were strong influences in the life of Julia Ward.
The amusements of the little Wards were few, compared with those of
children of to-day. As a child of seven, Julia was taken twice to the
opera, and heard Malibran, then Signorina Garcia, a pleasure the memory
of which remained with her through life. About this time Mr. Ward's
views of religious duty deepened in stringency and in gloom. There was
no more opera, nor did Julia ever attend a theatre until she was a grown
woman. In Low Church circles at that time, the drama was considered
distinctly of the devil. The burning of the first Bowery Theatre and of
the great theatre at Richmond, Virginia, were spoken of as "judgments."
Many an Evangelical pastor "improved" the occasions from the pulpit.
The child inherited a strong dramatic sense from the Marion Cutlers. She
had barely learned to read when she found in an "Annual" a tale called
"The Iroquois Bride," which she dramatized and presented to the nursery
audience, with herself for the bride, her brother Marion for the lover,
and a stool for the rock they ascended to stab each other. The
performance was not approved by Authority, and the book was promptly
taken away.
Her first written drama was composed at the age of nine, but even the
name of it is lost.
Public-domain text, read in full here on John Shaqi.
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