This was the house into which the family moved in 1835, Julia being then sixteen years of age; this was the house she loved, the memory of which was dear to her through all the years of her life. The family was at that time patriarchal in its dimensions: Mr. Ward and his six children, Dr. and Mrs. Francis and their four; often, too, "Grandma Cutler" and other Cutlers, not to speak of Wards, Greenes, and McAllisters. (Louisa, youngest of the Cutler sisters, one of the most beautiful and enchanting women of her time, was married to Matthew Hall McAllister.) One and all were sure of a welcome at "The Corner"; one and all were received with cordial urbanity, first by Johnson, the colored butler, later by Mr. Ward, the soul of dignified hospitality. Another inmate of the house during several years was Christy Evangelides, a Greek boy, orphaned in a Turkish massacre. Mr. Ward took the boy into his family, gave him his education and a start in life. Fifty years later Mr. Evangelides recalled those days in a letter to his "sister Julia," and paid beautiful tribute to his benefactor. To all these should be added a host of servants and retainers; and masters of various kinds, coming to teach music, languages, even dancing, for the children were taught to dance even if they never (or very seldom) were allowed to go to dances. Many of these teachers were foreign patriots: those were the days when one French _émigré_ of rank dressed the hair of fashionable New York, while another made its salads, the two going their rounds before every festivity. Julia's musical education began early. Her first teacher was a French artist, so irritable that the terrified child could remember little that he taught her. He was succeeded in her tenth year by Mr. Boocock, a pupil of Cramer, to whom she always felt that she owed a great deal. Not only did he train her fingers so carefully that after eighty years they still retained their flexibility, but he also trained and developed her inborn taste for all that was best in music. As she grew toward girlhood, the good master found that her voice promised to be a remarkable one, and recommended to her father Signor Cardini, formerly an intimate of the Garcia family, and thoroughly versed in the famous Garcia method. Under his care Julia's voice developed into a pure, clear mezzo-soprano, of uncommon range and exquisite quality. She felt all through her life the benefit of those early lessons. When she was eighty years old she attended a meeting of the National Peace Society at Park Street Church, Boston. The church was packed with people. When her turn came to speak, the kindly chairman said:-- "Ladies and Gentlemen, we are now to have the great pleasure of listening to Mrs. Howe. I am going to ask you all to be very quiet, for though Mrs. Howe's voice is as sweet as ever, it is perhaps not quite so strong."