Julia Ward Howe, 1819-1910Richards, Laura Elizabeth Howe
History
Julia Ward Howe, 1819-1910
Richards, Laura Elizabeth Howe
Authors, American -- 19th century -- Biography; Feminists -- United States -- Biography; Howe, Julia Ward, 1819-1910
The houses were cold, and there were few conveniences; but Christmas
found the Howes established in the Via San Niccolo da Tolentino, as
comfortably as might be. Here they were joined by Louisa Ward, and here
they soon gathered round them a delightful circle of friends. Most of
the _forestieri_ of Rome in those days were artists; among those who
came often to the house were Thomas Crawford, Luther Terry, Freeman the
painter and his wife, and Törmer, who painted a portrait of Julia. The
winter passed like a dream. There were balls as gorgeous as those of
London, with the beautiful Princess Torlonia in place of the Duchess of
Sutherland; musical parties, at which Diva sang to the admiration of
all. There were visits to the galleries, where George Combe was of the
party, and where he and the Chevalier studied the heads of statues and
busts from the point of view of phrenology, a theory in which both were
deeply interested. They were presented to the Pope, Gregory XVI, who
wished to hear about Laura Bridgman. The Chevalier visited all the
"public institutions, misnamed charitable,"[23] and the schools, whose
masters were amazed to find that he was an American, and asked how in
that case it happened that he was not black!
[23] S. G. H. to Charles Sumner.
In her "Reminiscences" our mother records many vivid impressions of
these Roman days. She had forgotten, or did not care to recall, a
certain languor and depression of spirits which in some measure dimmed
for her the brightness of the picture, but which were to give place to
the highest joy she had yet known. On March 12, her first child was
born, and was christened Julia Romana.
There are neither journals nor letters of this period; the only record
of it--from her hand--lies in two slender manuscript books of verse,
marked respectively "1843" and "1844." In these volumes we trace her
movements, sometimes by the title of a poem, as "Sailing," "The Ladies
of Llangollen," "The Roman Beggar Boy," etc., sometimes by a single word
written after the poem, "Berne," "Milan."
From these poems we learn that she did not expect to survive the birth
of her child; yet with that birth a new world opened before her.
He gave the Mother's chastened heart,
He gave the Mother's watchful eye,
He bids me live but where thou art,
And look with earnest prayer on high.
* * * * *
Then spake the angel of Mothers
To me in gentle tone:
"Be kind to the children of others
And thus deserve thine own!"
When, in the spring of 1844, she left Rome with husband, sister, and
baby, it seemed, she says, "like returning to the living world after a
long separation from it."
Journeying by way of Naples, Marseilles, Avignon, they came at length to
Paris.
Public-domain text, read in full here on John Shaqi.
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