Although an incorrigible Bonapartist, and consequently a conspirator by
trade, Harel seems to have been above all a man of the theatre: in the
midst of his political preoccupations, one can always discern his
predilection for things pertaining to the stage. He also had a very
definite conviction that politics and the drama, statesmen and
ballet-dancers, have always been closely linked together. So, whether he
was for the moment pamphleteer, financier, or prefect, whether he was
holding an appointment, or in full flight, he always had a finger in
some theatrical pie, either as a director, a manager, or a private
adviser. At the time he first met Julienne, he was filling the latter
capacity at the Théâtre Royal, in Brussels. He presented the young
woman. Without further training than that which Pradier had directed
from afar, we know that she made her first appearance in Brussels, at
the beginning of the year 1829--to be exact, on February 17th.
On that day she informs Pradier that her début has been successful, and
that the Brussels press is favourable. He at once thanks Providence and
decides that she can henceforth support herself by her talent. He
writes: "Is not this a great pleasure to you? Does it not lift a weight
from your heart, you who have such a noble soul? How sweet is the bread
one has earned so honourably! For my part, I feel that all your faults
are condoned by the trouble you are taking. Your perseverance will be
rewarded, never doubt it. Go on working! Time can never hang heavy when
one is labouring honestly; study carries more flowers than thorns."
Having spoken thus, the artist returned to his business and his
pleasures, not without having exhorted Julienne to remain in Brussels as
long as possible. He was not ignorant of the passionate desire of the
young woman to see her babe once more, but he feared that, if she should
not find an engagement in Paris like the one she enjoyed in Brussels,
she would again be, morally at least, on his hands. Therefore,
redoubling his cautious advice and his counsels of prudence, he implored
her not to relinquish a certainty for an uncertainty.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account