The poor girl was, in fact, overwhelmed with debt. When Victor Hugo,
desirous of setting her free for ever, asked her to draw up a detailed
statement of her affairs, she nearly broke down under the task, for
there were not only ordinary bills, such as 12,000 fr. to Janisset the
jeweller, 1,000 fr. to Poivin the glove-maker, 600 fr. to the laundress,
260 fr. to Georges the hair-dresser, 400 fr. to Villain the purveyor of
rouge, 620 fr. to Madame Ladon, dressmaker, 2,500 fr. to Mesdames
Lebreton and Gérard for dress materials, 1,700 fr. to Jourdain the
upholsterer--but also fictitious and usurious debts intended to disguise
money loans, and all the more numerous because they were for the most
part invented under the direction of an attorney who answered to the
name of Manière. She took good care not to reveal to Victor Hugo, whose
own burdens, and practical, economical mind, she was well acquainted
with, the amount of her expenditure and the magnitude of her
liabilities. The moment came, however, when the creditors realised that
they had to deal with a pretty woman inefficiently vouched for by a
poet. They lost patience and threatened her, and it was then that
Juliette had recourse to money-lenders. The remedy was worse than the
evil. Stamped paper soon flooded her rooms. Her furniture was seized,
and also her salaries from the Théâtre Français and the Porte St.
Martin. She tried to save a few clothes, and was had up for illegally
making away with the creditors' property. Her landlord threatened her
with expulsion; she imagined herself homeless, and lost her head.
Instead of confiding in Victor Hugo, her natural protector, she had
recourse to former friends. There were many such, from Pradier, the
sculptor, to Séchan, the scene-painter of the Opera and other theatres.
Pradier replied with advice; he was not without just pretext for
refusal, for, since her intrigue with Victor Hugo, Juliette no longer
wrote to the father of her child except "_par accident et monosyllabes_"
or else in a school-girl's handwriting, calculated to cover the pages in
very few words. Séchan and a few others were less stingy; they sent
small but quite insufficient contributions. She was therefore forced to
take the big step of revealing the whole truth to the beloved.
Public-domain text, read in full here on John Shaqi.
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