As we have stated above, Juliette's furniture had been seized, and she
was about to be turned out of her apartment in the Rue de l'Échiquier.
She had endeavoured vainly to interest her friends, past and present, in
her difficulties. Even Victor Hugo, disheartened probably by the
difficulties of the task, had returned a refusal. The lovers therefore
exchanged farewells which they thought final, and on August 3rd Juliette
started for St. Renan, near Brest, where her sister, Madame Kock, was
living. Happily she travelled by the Rennes diligence, and there were
many halts on the way. From the very first of these she sent an adoring
letter to the poet. She wrote again from Rennes, from Brest once more,
and lastly from St. Renan. Victor Hugo responded with expressions of
poignant regret and remorse, according to those who have read them. He
promised to do his very best to find the few necessary banknotes to
satisfy the biggest creditors. In the end, he set out for Rennes
himself, and rejoined his friend. The lovers returned to Paris on August
10th.
Now commences the most singular period of the life of Juliette, one
which has been aptly entitled an "amorous redemption after the romantic
manner."[14] For nearly two years Victor Hugo, taking his mistress as
the subject of his experiment, put into practice the theories, in part
religious, and in part philosophical, which he professed concerning
courtesans, namely: the expiation of faults by faithful, passionate,
disinterested love; love itself being considered as a species of
_sesame_, capable of opening wide the doors of science, and throwing
light upon all hidden things.
The first condition of redemption was poverty, voluntarily, almost
joyously, accepted. The furniture of the Rue de l'Échiquier must be sold
and the beautiful rooms given up. A tiny apartment consisting of two
rooms and a kitchen was taken for Juliette at No. 4, Rue du Paradis au
Marais, at a yearly rental of 400 fr. There she shivered through the
winter, and spent part of her days in bed to economise her fuel; but at
least she proved that she loved truly and was deserving of love.
No more dresses or jewels ... every evening Victor Hugo repeated to his
mistress that dress adds nothing to the charms of a lovely woman, that
it is waste of time to try to add to nature where nature herself is
beautiful; and proudly, as if indeed she were clothed in the hair-shirt
of her former mistresses at the convent, Juliette wrote: "My poverty, my
clumsy shoes, my faded curtains, my metal spoons, the absence of all
ornament and pleasure apart from our love, testify at every hour and
every minute, that I love you with all my heart."
Public-domain text, read in full here on John Shaqi.
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