From the description left us by Madame Drouet and transcribed in full
by, Victor Hugo in _Les Misérables_, the house in the Petit-Picpus
was none too cheerful; its first welcome to the child was more
sombre than any drama she was to figure in, later, as an actress.
Padlocked gates, dark corridors, bare rooms, a chapel where the
priest himself was concealed behind a veil--such was the scene; black
phantoms with shrouded features played the parts; the action was
composed of interminable prayers and stringent mortifications. The
Bernardines-Bénédictines slept on straw and wore hair shirts, which
produced chronic irritation and jerky spasms; they knew not the taste
of meat or the warmth of a fire; they took turns in making reparation,
and no excuse for shirking was permitted. Reparation consisted in
prayers for all the sins and faults of omission and commission, all
the crimes of the world. For twelve consecutive hours the petitioner
had to kneel upon the stone steps in front of the Blessed Sacrament,
with clasped hands and a rope round her neck; when the fatigue
became unbearable, she prostrated herself on her face, with her arms
outstretched in the form of a cross, and prayed more ardently than
before for the sinners of the universe. Victor Hugo, who gathered
these details from the lips of Madame Drouet, declared them sublime,
while she who had personally witnessed their painful passion, retained
a profound impression for life, coupled with a strong sense of
Catholicism, and the gift of prayer.
Outside of these austerities the pupils of the school conformed to
nearly all the practices of the convent. Like the nuns, they only saw
their parents in the parlour, and were not allowed to embrace them. In
the refectory they ate in silence under the eye of the nun on duty, who
from time to time, if so much as a fly flew without permission, would
snap a wooden book noisily. This sound, and the reading of the _Lives of
the Saints_, were the sole seasoning of the meal. If a rebellious pupil
dared to dislike the food and leave it on her plate, she was condemned
to kneel and make the sign of the cross on the stone floor with her
tongue.
Public-domain text, read in full here on John Shaqi.
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