Guyana -- Description and travel; Natural history -- Guyana
And this was the end of the tropical trail which had started out as a
road, with its beginning, for me, in the matter of Ram Narine. Along its
route we had passed civilization as men know it here, and had seen it
gradually fray out into single aged outcasts, brooding on thoughts
rooted and hidden in the mystery of the Far East. From the water and the
jungle the trail had vouchsafed us glimpses and whispers of the wild
creatures of this great continent, of the web of whose lives we hoped to
unravel a few strands. The end of the trail was barred with the closed
toll-gate of memory.
V
A HUNT FOR HOATZINS
Lines of gray, plunging tropic rain slanted across the whole world.
Outward-curving waves of red mud lost themselves in the steady downpour
beyond the guards on the motor-car of the Inspector of Police. It is
surprising to think how many times and in what a multitude of places I
have been indebted to inspectors of police. In New York the average
visitor would never think of meeting that official except under
extraordinary and perhaps compromising circumstances; but in tropical
British possessions the head of the police combines with his requisite
large quantity of gold lace and tact a delightful way of placing
visitors, and especially those of serious scientific intent, under
considerable obligation. So my present Inspector of Police, at an
official banquet the preceding evening, had insisted that I travel along
the seafront of Guiana--betwixt muddy salt water and cane-fields--in his
car. But an inspector of police is not necessarily a weather prophet,
and now the close-drawn curtains forbade any view, so it was decided
that I tranship to the single daily train.
Three times I had to pass the ticket-collector at the station to see
after my luggage, and three times a large clover-leaf was punched out of
my exceedingly small bit of pasteboard. A can of formaline still eluded
me, but I looked dubiously at my limp trey of clubs. Like a soggy
gingersnap, it drooped with its own weight, and the chances seemed about
even whether another trip past the hopelessly conscientious coolie
gate-man would find me with a totally dismembered ticket or an
asymmetrical four of clubs of lace-like consistency. I forebore, and
walking to the end of the platform, looked out at a long line of
feathery cocoanut palms, pasteled by the intervening rain. They were
silhouetted in a station aperture of corrugated iron, of all building
materials the most hideous; but the aperture was of that most graceful
of all shapes, a Moorish arch.
Public-domain text, read in full here on John Shaqi.
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