Allegories; Fantasy fiction; Historical fiction; Middle Ages -- Fiction
Equally in reading hereinafter will the judicious waive all
allegorical interpretation, if merely because the suggestions
hitherto advanced are inconveniently various. Thus Verville
finds the Nessus shirt a symbol of retribution, where Bülg,
with rather wide divergence, would have it represent the dangerous
gift of genius. Then it may be remembered that Dr. Codman says,
without any hesitancy, of Mother Sereda: "This Mother Middle is
the world generally (an obvious anagram of _Erda es_), and this
Sereda rules not merely the middle of the working-days but the
midst of everything. She is the factor of _middleness_, of
mediocrity, of an avoidance of extremes, of the eternal compromise
begotten by use and wont. She is the Mrs. Grundy of the Léshy; she is
Comstockery: and her shadow is common-sense." Yet Codman speaks with
certainly no more authority than Prote, when the latter, in his
_Origins of Fable_, declares this epos is "a parable of ... man's
vain journeying in search of that rationality and justice which his
nature craves, and discovers nowhere in the universe: and the shirt
is an emblem of this instinctive craving, as ... the shadow symbolizes
conscience. Sereda typifies a surrender to life as it is, a giving up
of man's rebellious self-centredness and selfishness: the anagram being
_se dare_."
Thus do interpretations throng and clash, and neatly equal the
commentators in number. Yet possibly each one of these unriddlings,
with no doubt a host of others, is conceivable: so that wisdom will
dwell upon none of them very seriously.
With the origin and the occult meaning of the folklore of Poictesme
this book at least is in no wise concerned: its unambitious aim has
been merely to familiarize English readers with the Jurgen epos for
the tale's sake. And this tale of old years is one which, by rare
fortune, can be given to English readers almost unabridged, in view
of the singular delicacy and pure-mindedness of the Jurgen mythos:
in all, not more than a half-dozen deletions have seemed expedient
(and have been duly indicated) in order to remove such sparse and
unimportant outcroppings of mediæval frankness as might conceivably
offend the squeamish.
Since this volume is presented simply as a story to be read for
pastime, neither morality nor symbolism is hereinafter educed, and
no "parallels" and "authorities" are quoted. Even the gaps are left
unbridged by guesswork: whereas the historic and mythological
problems perhaps involved are relinquished to those really
thoroughgoing scholars whom erudition qualifies to deal with such
topics, and tedium does not deter....
Public-domain text, read in full here on John Shaqi.
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