Allegories; Fantasy fiction; Historical fiction; Middle Ages -- Fiction
"Oh, yes," they said. And the courtiers of Gogyrvan Gawr, like
Mother Sereda, were greatly impressed by young Duke Jurgen's
erudition.
For Jurgen was Duke of Logreus nowadays, with his glittering shirt
and the coronet upon his bridle to show for it. Awkwardly this
proved to be an earl's coronet, but incongruities are not always
inexplicable.
"It was Earl Giarmuid's horse. You have doubtless heard of Giarmuid:
but to ask that is insulting."
"Oh, not at all. It is humor. We perfectly understand your humor,
Duke Jurgen."
"And a very pretty fighter I found this famous Giarmuid as I
traveled westward. And since he killed my steed in the heat of our
conversation, I was compelled to take over his horse, after I had
given this poor Giarmuid proper interment. Oh, yes, a very pretty
fighter, and I had heard much talk of him in Logreus. He was Lord of
Ore and Persaunt, you remember, though of course the estate came by
his mother's side."
"Oh, yes," they said. "You must not think that we of Glathion are
quite shut out from the great world. We have heard of all these
affairs. And we have also heard fine things of your duchy of
Logreus, messire."
"Doubtless," said Jurgen; and turned again to his singing.
"Lo, for I pray to thee, resistless Love," he descanted, "that thou
to-day make cry unto my love, to Phyllida whom I, poor Logreus, love
so tenderly, not to deny me love! Asked why, say thou my drink and
food is love, in days wherein I think and brood on love, and truly
find naught good in aught save love, since Phyllida hath taught me
how to love."
Here Jurgen groaned with nicely modulated ardor; and he continued:
"If she avow such constant hate of love as would ignore my great and
constant love, plead thou no more! With listless lore of love woo
Death resistlessly, resistless Love, in place of her that saith such
scorn of love as lends to Death the lure and grace I love."
Thus Jurgen sang melodiously of his Phyllida, and meant thereby (as
everybody knew) the Princess Guenevere. Since custom compelled him
to deal in analogues, he dealt wholesale. Gems and metals, the
blossoms of the field and garden, fires and wounds and sunrises and
perfumes, an armory of lethal weapons, ice and a concourse of
mythological deities were his starting-point. Then the seas
and heavens were dredged of phenomena to be mentioned with
disparagement, in comparison with one or another feature of Duke
Jurgen's Phyllida. Zoology and history, and generally the remembered
contents of his pawnshop, were overhauled and made to furnish
targets for depreciation: whereas in dealing with the famous ladies
loved by earlier poets, Duke Jurgen was positively insulting,
allowing hardly a rag of merit. Still, he was careful to be just:
and he allowed that these poor creatures might figure advantageously
enough in eyes which had never beheld his Phyllida. And to all this
information the lady whom he hymned attended willingly.
Public-domain text, read in full here on John Shaqi.
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