Jurgen and the law : $b A statement, with exhibits, of the Court's opinion, and the brief for the defendants on motion to direct an acquittal
General
Jurgen and the law : $b A statement, with exhibits, of the Court's opinion, and the brief for the defendants on motion to direct an acquittal
Cabell, James Branch, 1879-1958. Jurgen; Pornography -- Law and legislation
And yet it is not the real Jurgen who makes this voyage. The real
Jurgen, where is he? There are, in fact, many Jurgens. One of these
is a little boy in Heaven. “That boy”, says God, “is here with me as
you yourself have seen. And today there is nothing remaining of him
anywhere in the man that is Jurgen” (297). Another Jurgen is “a young
man barely come of age” (23) who had loved the young girl Dorothy,
and who sees the Jurgen of today only “as one might see the face of
a dead man drowned in muddy water” (31). Then there is the Jurgen of
today, the Jurgen who “retains his shop and a fair line of business”,
the Jurgen whose _confiteor_ is that Koshchei, the earth spirit “who
made things as they are”, has dealt with him very justly. “And probably
his methods are everything they should be; certainly I cannot go so far
as to say that they are wrong; but still, at the same time--” (368).
And, separate from all these Jurgens, the little boy who loved God,
the youth who cherished the normal things of youth, and the Jurgen of
middle age who worships things as they are, is yet another Jurgen--the
Faust-Jurgen, who, by favor of the powers of darkness, goes careering
on his voyage of the world of fancy, the world of vision, the world of
regrets, the world of disillusion.
The sequence of his adventures may easily be traced.
In the first episode Jurgen visits a garden between dawn and sunrise.
It is a garden where “each man that has ever lived has sojourned for a
little while, with no company save his illusions” (20). And the spirit
of it all is shown forth in the people whom he first encounters. For
they are a small boy and a girl who forever walk in the glaze of a
mustard jar (19),--forever, that is, like the youth and the maid on the
Grecian urn which drew the immortal gaze of Keats. The glance sweeps
forward soon, however, and hence presently in this garden of memory
Jurgen meets the girl Dorothy, meets her and talks with her (24-33).
When she had gone all was gone and so, when the sun rose, it was simply
“another workday” (34). The Philistine spirit blew upon the garden, it
was to be remodelled and all the gold was to be rubbed away (36-7).
Public-domain text, read in full here on John Shaqi.
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