(_b_) Harpocrates, “who held an astonishing object” (206-7). This is attacked along with the reference to the People of the Fields, who practise eudæmonism. Jurgen sees the People of the Fields, “who dwell between the forest and the city of Pseudopolis” (204). These people “did one and all what they had always done” (204) whereas, “whoever heard of the People of the Wood doing anything useful?” So Jurgen, after being informed that the People of the Field never take a holiday (206) decides to see what the People of the Wood do about it (206). He finds them practicing eudæmonism outdoors instead of indoors. Eudæmonism: “The type of utilitarian ethical theory that makes the pursuit, enjoyment and production of happiness the supreme end in moral conduct.”--Funk & Wagnalls’ Dictionary. This was of course the creed of Cocaigne--“Eat, drink, and be merry, for tomorrow we die.” The point here is that satyrs do not go indoors, for the reason that for a satyr to go indoors is unheard of. If it is indecent to mention a satyr, then not only should Keats and Swinburne be destroyed, but Elizabeth Barrett Browning should be reprimanded for writing that poem “A Musical Instrument”, which is all about “The Great God Pan”, chief of Satyrs. As to Harpocrates, we refer to Tooke’s “Pantheon of the Heathen Gods”,--a most respectable authority. It is there said (p. 352): “The Egyptians worshipped Harpocrates as the god of Silence * * * They consecrated the tree persea to him; because the fruit was like a heart * * * He was painted with a finger upon his lips, thereby commanding silence.” It is, therefore, probably the persea fruit which Harpocrates is carrying, and the astonishment of Jurgen at seeing the human heart thus publicly displayed is equally nature and good allegory. The custom that led to stiffness was of course Harpocrates’ custom of not speaking to or answering the remarks of others. (_c_) Jurgen’s sword (124-8, 148-150). Mention is made of Jurgen’s sword. But, like the staff and the lance (_vide supra_) all that need be said is that it really is a sword, Caliburn. The book tells just where and how he got it (72, 76). (_d_) The doorknocker on the entrance to Cocaigne (150). These were simply the nude figures of Adam and Eve. Jurgen, being conventional, and yet seeking sin, is embarrassed at the nude, and thinks it is indecent; so he talks about it.