Goldie, however, up in her ninth-floor offices, and bent to an angle of forty-five degrees over the denouement of white-slave drama that promised a standing-room-only run and the free advertising of censorship, had little time or concern for her various atrophies. It was nearly six o'clock, and she wanted half a yard of pink tulle before the shops closed. Besides, hers were the problems of the six-million-dollar incorporateds, who hire girls for six dollars a week; for the small-eyed, large-diamoned birds of prey who haunt the glove-counters and lace departments of the six-million-dollar incorporateds with invitations to dinner; and for the night courts, which are struggling to stanch the open gap of the social wound with medicated gauze instead of a tight tourniquet. A yard of pink tulle cut to advantage would make a fresh yoke that would brighten even a three-year-old, gasolene-cleaned blouse. Harry Trimp liked pink tulle. Most Harry Trimps do. At twenty minutes before six the lead-colored dusk of January crowded into the Gregory typewriting office so thick that the two figures before the two typewriters faded into the veil of gloom like a Corot landscape faints into its own mist. Miss Flint ripped the final sheet of her second act from the roll of her machine, reached out a dim arm that was noisy with bracelets, and clicked on the lights. The two figures at the typewriters, the stationary wash-stand in the corner, a roll-top desk, and the heat-lightning tints in Miss Flint's hair sprang out in the jaundiced low candle-power. "I'm done the second act, Miss Gregory. May I go now?" Miss Flint's eyes were shining with the love-of-life lamps, the mica powder of romance, and a brilliant anticipation of Harry Trimp. Miss Gregory's were twenty years older and dulled like glass when you breathed on it. "Yes; if you got to go I guess you can." "Ain't it a swell play, Miss Gregory? Ain't it grand where he pushes her to the edge of the bridge and she throws herself down and hugs his knees?" "Did you red ink your stage directions in, with the margin wide, like he wants? He was fussy about the first act." "Yes'm; and say, ain't it a swell name for a show--'The Last of the Dee-Moolans'? Give me a show to do every time, and you can have all your contracts and statements and multigraph letters. Those love stories that long, narrow fellow brings in are swell to do, too, if he wa'n't such an old grouch about punctuation. Give me stuff that has some reading in it every time!" Miss Gregory sniffed--the realistic, acidulated sniff of unloved forty and a thin nose. "The sooner you quit curlin' your side-hair and begin to learn that life's made up of statements and multigraphs, instead of love scenes on papier-mache bridges and flashy fellows in checked suits and get-rich-quick schemes, the better off you're going to be." The light in Goldie's face died out as suddenly as a Jack-o'-lantern when you blow on the taper.