from out filthy alleys, as if to gasp some breath of air, then drag
themselves back, as if to die in a desolate hiding-place. Engines of
pestilence and death the corporation might see and remove, if it would,
are left here to fester—to serve a church-yard as gluttonous as its own
belly. The corporation keeps its eyes in its belly, its little sense in
its big boots, and its dull action in the whiskey-jug. Like Mrs.
Swiggs, it cannot afford to do anything for this heathen world in the
heart of home. No, sir! The corporation has the most delicate sense of
its duties. It is well paid to nurture the nucleus of a pestilence that
may some day break out and sweep over the city like an avenging enemy.
It thanks kind Providence, eating oysters and making Presidents the
while, for averting the dire scourge it encourages with its apathy.
Like our humane and very fashionable preachers, it contents itself with
looking into the Points from Broadway. What more would you ask of it?
Mrs. Swiggs is seized with fear and trembling. Surely she is in a world
of darkness. Can it be that so graphically described by Brother
Syngleton Spyke? she questions within herself. It might, indeed, put
Antioch to shame: but the benighted denizens with which it swarms speak
her own tongue. “It is a deal worse in Orange street.”
“Now called Baxter street Marm-a deal, I assure you!” speaks a low,
muttering voice. Lady Swiggs is startled. She only paused a moment to
view this sea of vice and wretchedness she finds herself surrounded
with. Turning quickly round she sees before her a man, or what there is
left of a man. His tattered garments, his lean, shrunken figure, his
glassy eyes, and pale, haggard face, cause her to shrink back in
fright. He bows, touches his shattered hat, and says, “Be not afraid,
good Madam. May I ask if you have not mistaken your way?” Mrs. Swiggs
looks querulously through her spectacles and says, “Do tell me where I
am?” “In the Points, good Madam. You seem confused, and I don’t wonder.
It’s a dreadful place. I know it, madam, to my sorrow.” There is a
certain politeness in the manner of this man-an absence of rudeness she
is surprised to find in one so dejected. The red, distended nose, the
wild expression of his countenance, his jagged hair, hanging in tufts
over his ragged coat collar, give him a repulsiveness not easily
described. In answer to an inquiry he says, “They call me, Madam, and
I’m contented with the name,—they call me Tom Toddleworth, the
Chronicle. I am well down-not in years, but sorrow. Being sick of the
world I came here, have lived, or rather drifted about, in this sea of
hopeless misery, homeless and at times foodless, for ten years or more.
Oh! I have seen better days, Madam. You are a stranger here. May God
always keep you a stranger to the sufferings of those who dwell with
us. I never expect to be anything again, owe nothing to the world, and
never go into Broadway.”
Public-domain text, read in full here on John Shaqi.
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