“Never go into Broadway,” repeats Mrs. Swiggs, her fingers wandering to her spectacles. Turning into Orange street, Mr. Toddleworth tenders his services in piloting Mrs. Swiggs into Centre street, which, as he adds, will place her beyond harm. As they advance the scene becomes darker and darker. Orange street seems that centre from which radiates the avenues of every vice known to a great city. One might fancy the world’s outcasts hurled by some mysterious hand into this pool of crime and misery, and left to feast their wanton appetites and die. “And you have no home, my man?” says Mrs. Swiggs, mechanically. “As to that, Madam,” returns the man, with a bow, “I can’t exactly say I have no home. I kind of preside over and am looked up to by these people. One says, ‘come spend a night with me, Mr. Toddleworth;’ another says, ‘come spend a night with me, Mr. Tom Toddleworth.’ I am a sort of respectable man with them, have a place to lay down free, in any of their houses. They all esteem me, and say, come spend a night with me, Mr. Toddleworth. It’s very kind of them. And whenever they get a drop of gin I’m sure of a taste. Surmising what I was once, they look up to me, you see. This gives me heart.” And as he says this he smiles, and draws about him the ragged remnants of his coat, as if touched by shame. Arrived at the corner of Orange street, Mr. Toddleworth pauses and begs his charge to survey the prospect. Look whither she will nothing but a scene of desolation-a Babylon of hideous, wasting forms, mucky streets, and reeking dens, meet her eye. The Jews have arranged themselves on one side of Orange street, to speculate on the wasted harlotry of the other. “Look you, Madam!” says Mr. Toddleworth, leaning on his stick and pointing towards Chatham street. “A desert, truly,” replies the august old lady, nervously twitching her head. She sees to the right (“it is wantonness warring upon misery,” says Mr. Toddleworth) a long line of irregular, wooden buildings, black and besmeared with mud. Little houses with decrepid door-steps; little houses with decayed platforms in front; little dens that seem crammed with rubbish; little houses with black-eyed, curly-haired, and crooked-nosed children looking shyly about the doors; little houses with lusty and lecherous-eyed Jewesses sitting saucily in the open door; little houses with open doors, broken windows, and shattered shutters, where the devil’s elixir is being served to ragged and besotted denizens; little houses into which women with blotched faces slip suspiciously, deposit their almost worthless rags, and pass out to seek the gin-shop; little houses with eagle-faced men peering curiously out at broken windows, or beckoning some wayfarer to enter and buy from their door; little houses piled inside with the cast-off garments of the poor and dissolute, and hung outside with smashed bonnets, old gowns, tattered shawls; flaunting-red, blue, and yellow, in the wind,