At the door of the Poor-House stands a dilapidated hearse, to which an old gray horse is attached. A number of buzzards have gathered about him, turn their heads suspiciously now and then, and seem meditating a descent upon his bones at no very distant day. Madame casts a glance at the hearse, and the poor old horse, and the cawing buzzards, then follows Tom, timidly, to the door. He has rung the bell, and soon there stands before them, in the damp doorway, a fussy old man, with a very broad, red face, and a very blunt nose, and two very dull, gray eyes, which he fortifies with a pair of massive-framed spectacles, that have a passion for getting upon the tip-end of his broad blunt nose. “There, you want to see somebody! Always somebody wanted to be seen, when we have dead folks to get rid of,” mutters the old man, querulously, then looking inquiringly at the visitors. Tom says they would like to go over the premises. “Yes-know you would. Ain’t so dull but I can see what folks want when they look in here.” The old man, his countenance wearing an expression of stupidity, runs his dingy fingers over the crown of his bald head, and seems questioning within himself whether to admit them. “I’m not in a very good humor to-day,” he rather growls than speaks, “but you can come in—I’m of a good family-and I’ll call Glentworthy. I’m old-I can’t get about much. We’ll all get old.” The building seems in a very bad temper generally. Mr. Glentworthy is called. Mr. Glentworthy, with a profane expletive, pops his head out at the top of the stairs, and inquires who wants him. The visitors have advanced into a little, narrow passage, lumbered with all sorts of rubbish, and swarming with flies. Mr. Saddlerock (for this is the old man’s name) seems in a declining mood, the building seems in a declining mood, Mr. Glentworthy seems in a declining mood-everything you look at seems in a declining mood. “As if I hadn’t enough to do, gettin’ off this dead cribber!” interpolates Mr. Glentworthy, withdrawing his wicked face, and taking himself back into a room on the left. “He’s not so bad a man, only it doesn’t come out at first;” pursues Mr. Saddlerock, continuing to rub his head, and to fuss round on his toes. His mind, Madame Montford verily believes stuck in a fog. “We must wait a bit,” says the old man, his face seeming to elongate. “You can look about-there’s not much to be seen, and what there is-well, it’s not the finest.” Mr. Saddlerock shuffles his feet, and then shuffles himself into a small side room. Through the building there breathes a warm, sickly atmosphere; the effect has left its marks upon the sad, waning countenances of its unfortunate inmates.