You may shut out the sterner sex without involving character or
inviting insult; but with woman the case is very different. However
pure her character, to turn her into the street, is to subject her to a
stigma, if not to fasten upon her a disgrace. You may paint, in your
imagination, the picture of a woman in distress, but you can know
little of the heart-achings of the sufferer. The surface only reflects
the faint gleams, standing out here and there like the lesser objects
upon a dark canvas.
Maria turns reluctantly from that home of so many happy associations,
to wander about the streets and by-ways of the city. The houses of the
rich seem frowning upon her; her timid nature tells her they have no
doors open to her. The haunts of the poor, at this moment, infuse a
sanguine joyousness into her soul. How glad would she be, if they did
but open to her. Is not the Allwise, through the beauties of His works,
holding her up, while man only is struggling to pull her down?
And while Maria wanders homeless about the streets of Charleston, we
must beg you, gentle reader, to accompany us into one of the great
thoroughfares of London, where is being enacted a scene appertaining to
this history.
It is well-nigh midnight, the hour when young London is most astir in
his favorite haunts; when ragged and well-starved flower-girls, issuing
from no one knows where, beset your path through Trafalgar and
Liecester squares, and pierce your heart with their pleadings; when the
Casinoes of the Haymarket and Picadilly are vomiting into the streets
their frail but richly-dressed women; when gaudy supper-rooms, reeking
of lobster and bad liquor, are made noisy with the demands of their
flauntily-dressed customers; when little girls of thirteen are dodging
in and out of mysterious courts and passages leading to and from
Liecester square; when wily cabmen, ranged around the “great globe,”
importune you for a last fare; and when the aristocratic swell, with
hectic face and maudlin laugh, saunters from his club-room to seek
excitement in the revels at Vauxhall.
A brown mist hangs over the dull area of Trafalgar square. The bells of
old St. Martin’s church have chimed merrily out their last night peal;
the sharp voice of the omnibus conductor no longer offends the ear; the
tiny little fountains have ceased to give out their green water, and
the lights of the Union Club on one side, and Morley’s hotel on the
other, throw pale shadows into the open square.
Public-domain text, read in full here on John Shaqi.
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