The solitary figure of a man, dressed in the garb of a gentleman, is
seen sauntering past Northumberland house, then up the east side of the
square. Now he halts at the corner of old St. Martin’s church, turns
and contemplates the scene before him. On his right is that squatty
mass of freestone and smoke, Englishmen exultingly call the Royal
Academy, but which Frenchmen affect contempt for, and uninitiated
Americans mistake for a tomb. An equestrian statue of one of the
Georges rises at the east corner; Morley’s Hotel, where Americans get
poor fare and enormous charges, with the privilege of fancying
themselves quite as good as the queen, on the left; the dead walls of
Northumberland House, with their prisonlike aspect, and the mounted
lion, his tail high in air, and quite as rigid as the Duke’s dignity,
in front; the opening that terminates the Strand, and gives place to
Parliament street, at the head of which an equestrian statue of Charles
the First, much admired by Englishmen, stands, his back, on
Westminster; the dingy shops of Spring Garden, and the Union Club to
the right; and, towering high over all, Nelson’s Column, the statue
looking as if it had turned its back in pity on the little fountains,
to look with contempt, first upon the bronze face of the unfortunate
Charles, then upon Parliament, whose parsimony in withholding justice
from his daughter, he would rebuke-and the picture is complete.
The stranger turns, walks slowly past the steps of St. Martin’s church,
crosses to the opposite side of the street, and enters a narrow, wet,
and dimly-lighted court, on the left. Having passed up a few paces, he
finds himself hemmed in between the dead walls of St. Martin’s
“Work-house” on one side, and the Royal Academy on the other. He
hesitates between fear and curiosity. The dull, sombre aspect of the
court is indeed enough to excite the fears of the timid; but curiosity
being the stronger impulse, he proceeds, resolved to explore it-to see
whence it leads.
A short turn to the right, and he has reached the front wall of the
Queen’s Barracks, on his left, and the entrance to the “Work-house,” on
his right; the one overlooking the other, and separated by a narrow
street. Leave men are seen reluctantly returning in at the night-gate;
the dull tramp of the sentinel within sounds ominously on the still
air; and the chilly atmosphere steals into the system. Again the
stranger pauses, as if questioning the safety of his position. Suddenly
a low moan grates upon his ear, he starts back, then listens. Again it
rises, in a sad wail, and pierces his very heart. His first thought is,
that some tortured mortal is bemoaning his bruises in a cell of the
“Work-house,” which he mistakes for a prison. But his eyes fall to the
ground, and his apprehensions are dispelled.
Public-domain text, read in full here on John Shaqi.
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