Tom is the only surviving, and now the outcast, member of a somewhat
respectable family, that has moved in the better walks of society. His
mother, being scrupulous of her position in society, and singularly
proud withal, has reared and educated her son in idleness, and
ultimately slights and discards him, because he, as she alleges, sought
society inferior to his position and her dignity. In his better days he
had been erect of person, and even handsome; but the thraldom of the
destroyer has brought him to the dust, a pitiable wreck.
Tom has seen thirty summers, presents a full, rounded figure, and
stands some five feet ten. He wears an old brown coat, cut after the
fashion of a surtout, that might have fitted him, he says, when he was
a man. But it has lost the right cuff, the left flap, and a part of the
collar; the nefarious moths, too, have made a sieve of its back. His
trowsers are of various colors, greasy down the sides, ragged at the
bottoms, and revealing two encrusted ancles, with feet stuck into old
shoes, turned under at the heels for convenience sake. A remark from
the cribber touches his pride, and borrowing a few pins he commences
pinning together the shattered threads of his nether garment. A
rope-yarn secured about his waist gives a sailor-like air to his
outfit. But, notwithstanding Tom affects the trim of the craft, the
skilled eye can easily detect the deception; for the craftsman, even
under a press of head sail, preserves a becoming rig.
Indeed, Tom might have attempted without effect, during his natural
life, to transform himself into a sailor. The destroyer was his victor;
the inner man was but a reflex of the outer. He pulled an old cloth cap
over his face, which was immersed in a massive black beard, bordering
two red, swollen cheeks; and with his begrimed hands he rubbed lustily
his inflamed eyes—once brown, large, and earnest—now glassy and sunken.
“I’m all square, ain’t I?” he inquires, looking with vacant stare into
the faces of those who tease him with facetious remarks, then scans his
haberdashery. There yet remains something displeasing to him. His sense
of taste is at stake. This something proves to be a sooty striped
shirt, open in front, and disclosing the remains of a red flannel
under-garment. Every few minutes will he, as if touched with a sense of
shame, wriggle his shoulders, and pull forward the wreck of his
collarless coat, apparently much annoyed that it fails to cover the
breastwork of his distress.
Public-domain text, read in full here on John Shaqi.
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