Sitting on the flat lid of the trunk, with one foot tucked under her
for comfort, while Mary crouched on the floor with her rose-leaf
cheeks in her palms, Pearl Newcome would read whole chapters from
“Fanny the Flower Girl, or the Pits and Pitfalls of London,” from
“Lady Clare, or Lord Marchmont’s Unhappy Bride,” from “The Doge’s
Doom, or the Mysterious Swordsman of Venice,” and many others. The
mysterious swordsman in the “Doge’s Doom” was especially entrancing,
for he went about at night with a black mask over his face, and made
love and fought duels with the greatest imaginable nonchalance. It
taxed the memory merely to keep count of his many loves and battles,
and it was darkly hinted that he was a royal personage in disguise.
“The Black Mask’s scabbard clanked ominously as he sprang from the
gondola to the stone arches below the sombre building, while the
moonlight was reflected from his shining coat of mail and from the
placid waters of the deep lagoon, showing in the pellucid waves alike
the untamed locks that hung about his shoulders and the white
frightened face of the slender, golden-haired maiden who leaned toward
him with palpitating bosom from the narrow, open window above him.”
When that point was reached Mary clasped her hands tightly across her
knees and rocked in aching excitement; for who was to know whether the
Black Mask would succeed in getting the lovely maiden out of the
clutches of the foul doge who held her a prisoner, or whether some
guard concealed in a niche in the wall would not pounce out, having
been set there by the shrewd doge for the purpose, and slice the Black
Mask’s head off, in spite of the protecting coat of mail?
Aside from her duties as housekeeper, which she never neglected, there
was one other thing that could cause Pearl Newcome to surrender
voluntarily the joys of that perch on the trunk lid in the midst of
her redolent romances with Mary Jasper for an appreciative listener,
and that was the voice of Steve Harkness, the ranch foreman. The
attraction of the printed page palled when she heard Harkness’s heavy
tones, and stopping, with her finger between the leaves, she would
step to the window; and sometimes, to Mary’s regret, would go down
stairs, where she would cut out a huge triangle of pie and place it on
the kitchen table.
Public-domain text, read in full here on John Shaqi.
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