Kakemono : $b Japanese sketchesEdwards, A. Herbage
Religion
Kakemono : $b Japanese sketches
Edwards, A. Herbage
Japan -- Description and travel; Japan -- Social life and customs
We slept beneath our transparent tent, in our wall-less room, as the
flowers sleep, part of the living night. All the little sounds of leaf
and lake stirred round us undisturbed; the rice-ears rustled in the
silent night; the great trees stretched their branches as they slept.
Dreaming, the waters of the salt lagoon moved towards the sea, and all
the wealth of insect life, turning in its sleep, called faintly. The
still small voice of the sky whispered softly in the breezes, and the
great green Earth reached up to listen through her dreams. Bound in the
chains of man, it is at night-time that she stirs so restless, when
all the humming, conscious life is laid to sleep, when men and insects
slumber. Then the green Earth wakes; but she has endured so long that
even in her waking she is half asleep. Bound down with streets and
houses, she never wakes at all. And so all night we listened to the
voices of the world. At the dawning, when all Nature stands hushed
before the coming of the sun, we slept. But the dawning in this
southern land is short and swift. With no clouds to dim his strength,
the sun soon sat flaming on his wide blue throne; and all the insects
of the tropics, warmed into life, rose up to buzz and hum. And we awoke.
* * * * *
In the Land of the Gods there are no clocks, and although one in the
main street of Matsué proclaimed its “foreign” time, the inhabitants
beneath go their own way, and the baby steamers arrive and depart in
open disregard of the hours upon the dial. So some time between the
dawning and the noon we woke. The house was getting up. All the little
sounds of rising men and women, of a day’s beginning, were about us, so
we got up too. Crawling from under our vast green tent, we went down
the polished passage-way to the inner courtyard, where in a cool green
cloister all the rooms of the inn looked out. A long stone font filled
with water, a hanging wooden dipper, a row of shallow brass pans on
a wooden shelf stood waiting. Here the whole inn washes. With water
from the font, cool and fresh from its night’s sleep in the grey stone
basin, you fill the bamboo dipper and pour out into the shallow pans;
and then, standing in the passage-way, with all the rooms around you,
you wash. And unless a _nēsan_, attracted by the whiteness of your
skin, should stop a moment to look and wonder, no one is interested.
The usual lengths of cotton towelling hung beside the dipper, like
banners on their poles; and a crevice of sunshine piercing into the
green courtyard quivered on the round brass pans.
Tent and _futon_ had vanished when we returned, and the two little
goggle-eyed girls, still with their blue _kimono_ tucked up to show the
red ones underneath, were sweeping the matting with bamboo brooms. We
dressed in corners unattended, and sat down to wait.
Public-domain text, read in full here on John Shaqi.
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