Kakemono : $b Japanese sketchesEdwards, A. Herbage
Religion
Kakemono : $b Japanese sketches
Edwards, A. Herbage
Japan -- Description and travel; Japan -- Social life and customs
Out of the town and above it, the _daimyō_ of Matsué once built him a
castle, and he filled it with the stern warriors whose soul was their
sword. _Daimyō_ after _daimyō_ lived and died, and still a _daimyō_
ruled over Izumo; and warrior after warrior fought and was slain, and
still the _samurai_ learned the laws of the _bushi_, the way of the
warrior, and the strong fortress of Matsué, with its moat and its
walls, was guarded and kept by men whose lives were one long servitude
to honour and duty. The grim ideals of a code which feared no death and
no torture, which exacted the sternest courage and self-control, were
taught and practised in the castle of Matsué, until the Son of Heaven
ruled in Tokyo and _daimyō_ and _samurai_ were feudal lord and loyal
vassal no longer.
The grim walls are standing now, the castle with its moat still rises
above Matsué to possess it, but the spirit of its fierce dominance is
gone; instead, that twin-soul of the Japanese race has entered into the
stronghold, the Love of Beauty has cast out the Love of Battle, the
sword is changed to flowers, for in the moat of the castle the lotus is
blooming.
Stern and very strong the grey walls rise high into the air, they have
not lost their grimness though their feet are bathed in flowers. It is
true the gateway is broken, and where the drawbridge once fell there is
now a broad path of stamped earth, but the long lines of solid wall are
firm still and uninjured. They still rise frowning from out the deep
waters of the moat; but to-day the moat itself has disappeared, in its
place the broad thick leaves of the lotus stretch like a silvery green
river around the walls. So broad, so strong, so helpless, the great
leaves hang like unsteady giants on their stalks, and the pin-points of
water gather and gather on the hairy surface, till the leaf curls to a
cup and a big waterdrop, molten as quicksilver, runs gleaming over the
green.
The lotus leaves lie all lazy at angles of rest, but the flowers seem
to rise on their stalks as birds taking wing. All pure white or palest
pink, each single flower is a giant’s handful of blossom, and yet the
petals are delicate, almost transparent; thin, too, in their texture,
but of a satiny softness, they curl with the grace of a rose above the
pure gold of their hearts.
The lotus leaves dream inert, each on its stalk hangs drooping,
often awry: they encircle the walls like a green river of water that
stagnantly sleeps; but the flowers are awake and they rise from their
leaves as the Spirit of Beauty once rose from the waters. All pure
white on this side of the gateway, all pale pink on that, the great
cups of blossom stand stately. Very fragile in their texture, and yet
so ample in their form the lotus flower seems the meeting-point of
luxuriance and grace; the point where more of either were really less
of both.
Public-domain text, read in full here on John Shaqi.
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