Kakemono : $b Japanese sketchesEdwards, A. Herbage
Religion
Kakemono : $b Japanese sketches
Edwards, A. Herbage
Japan -- Description and travel; Japan -- Social life and customs
It is thirty years ago now. But the legend of the noseless Jizō and his
fight with the _Onigo_ (the devil in the shape of a child) is still
told in the villages around Negishi.
The other day Richard heard it himself.
VIII
THE TEMPLES OF SHIBA
A matchless blue sky overarches the world, pale, clear, intense, and
the twisted green boughs of the Japanese pine throw their gaunt, black
arms up into the blue, in the vain endeavour of a hundred years to
reach it. The hush of cloistered calm in which the trees grew up is
still here, although the Tokyo citizen walks and rides where once none
but Buddhist priests might linger. The Red Gateway, with the tent
curves of its roof petrified into grey tiles, still claims for all
within Buddha as its master.
And the hush of cloistered calm grows stiller.
Through a wide space open to the sky, a space paved with rounded
pebbles, water-washed for many years ere they floored the courtyard of
the House of God, believing and unbelieving feet have beaten smooth a
wide, brown pathway. All around, and arranged in serried rows, stand a
myriad grey-stone lanterns, the pious gifts of dead _daimyō_. Between
these tall stone emblems of the five elements the pathway runs; cupola,
crescent, pyramid, sphere, cube--ether, air, fire, water, earth--and
the crude shapes of the primitive elements, touched and altered by
generations of artists, are turned to curves of quaintest beauty.
Diagonally across the space goes the black pathway, the standing rows
of tall lanterns thickly set on either side, until beneath another gate
it makes a pause. A gate of red lacquer this, with carvings of gilded
wood on ceiling and wall. Carvings full of that oriental luxuriance of
colour and line which half shocks our sober northern senses; so shocks
them sometimes that we call it scornfully “barbaric,” until we grow
wiser with much looking and learn to see the truth and beauty of this
exuberant splendour.
Public-domain text, read in full here on John Shaqi.
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