Kakemono : $b Japanese sketchesEdwards, A. Herbage
Religion
Kakemono : $b Japanese sketches
Edwards, A. Herbage
Japan -- Description and travel; Japan -- Social life and customs
The pack-horses plodded bad-temperedly on, and the structure of
that saddle seemed to be petrifying in my frame. A blot in the path
which had lain for so long on the edge of the common came gradually
nearer until it widened into a deep oblong pit filled with the
rakings of a thousand fires. Through this we ploughed our way, and
the loose cinders came over the feet of the horses. With a good deal
of exertion we climbed out again, then a few yards, a sharp turn,
and we passed an empty row of sheds, for we had reached the _Mma
gaeshi_--“Horse-turn-back” station. My horse evidently understood the
Chinese characters of the tea-house sign, for no sooner did he see
them than he promptly walked into one of the sheds, with me clinging
affectionately to his neck to avoid the shock of the roof on my chest.
But promptly as he walked in, the little girl groom and the boy guide
were prompter; with a rush they were at his head, hauling him out
again. He objected strongly, snarling like an ill-used dog, and so did
I, but we were backed out of the shed at last.
We did not “horse-turn-back,” we were going to take our steeds on one
more station. The stations on Fuji, which are nothing but the native
tea-house, rougher, ruder, and less scrupulously clean, are mostly
built right across the actual path itself. You go in at one side and
out at the other.
Up to the very threshold of the tea-house the sweep of the wet green
common rolled, like a gigantic, motionless wave that never breaks. It
was a bare wild world bounded only by the pale walls of the distant
clouds. But on the other side the path plunged steeply into a thick
interminable wood, where the great trees dripped slowly, with the heavy
persistency of Fate, and the dark trunks glistened uncertainly with
wet. The little girl groom and the boy guide came and led the horses
carefully, for the path was very steep, and the thick roots of the
trees stretched like cords above the cinders.
This stage was short. At the next tea-house, which lay confined as
a lake between the walls of the mountain, we said “good-bye” to the
ill-tempered horses and to the little girl groom. The boy was to take
us to the top and down to Yoshida. Then the wood, which the tea-house
had interrupted no more than a buoy the ocean, stretched on. The great
trees dripped coldly, with that chill feel of damp green things that
makes the springtime of the north: coldly fresh as though the running
sappy life were chill as mountain water, as though the growing trees
were enwrapped in invisible ice and the very air made of impalpable
snow.
In the midst of the wood stood a little desolate shrine, its floor was
nothing but the black stamped earth, its roof of roughest thatch kept
down with lava-stones, and only the tiny altar had walls at all. Behind
a sort of wooden bar the gods sat dim, and a mournful old priest was
their only attendant.
Public-domain text, read in full here on John Shaqi.
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