Kakemono : $b Japanese sketchesEdwards, A. Herbage
Religion
Kakemono : $b Japanese sketches
Edwards, A. Herbage
Japan -- Description and travel; Japan -- Social life and customs
The stations on Fuji are all much alike. A matted room lined with
_futon_, and always a square well at the back with a charcoal fire
and an ever-boiling kettle. As you go up the wooden walls are hidden
outside beneath huge blocks of cut lava, hidden deeper and deeper,
while the roofs are fastened down with lava-stones. Yet every winter
Fuji blows down the built-up walls, tears off the roofs, and sends the
big blocks hurtling down the slope. Even in summer the roof and walls
lose portions of themselves, which, rolling, rolling, rolling, roll
for ever downwards. Some of the stations are smaller, some larger,
some cleaner, this is the only difference. In each you sit down on the
matting to rest, and the crouching man over the fire brings you hot
tea, and rice-paste cakes, while a far-away figure dimly seen through
the smoke of the charcoal fire asks your guide where you come from,
where you are going to, when you started, and what time you will be
back. And your guide replies, with endless details as to your behaviour
if you are an _Ijin San_, and the amount you have already expended on
tea and tips.
It was a glorious morning and one with the added charm of uncertainty.
Floating in the blue above and below us were clouds, large white clouds
which would swoop down on the land, suddenly, and hide it as under a
napkin. Then the black cone of Fuji, a cone with its top bitten out in
two little bites, would pull down a thick flap out of the blue, and
disappear. Mountain, sky and land shifted and shone, passed in an eddy
of broken glimpses, stayed in a still-set picture, or were lost under
covering clouds.
But always the steep little path led up through the loose cinder-slope,
and always we climbed.
* * * * *
The steepest and most tiring part of the climb, except the natural
staircase below the summit, is between the sixth and eighth station,
where the path, leaving the cinder-slope, runs along a ridge of solid
lava, rising like the long root of a tree high up out of the cinders,
and loses itself among great black blocks. To cross this was something
like jumping over sea rocks when the tide is out, only instead of lying
flat these went steeply upward.
Public-domain text, read in full here on John Shaqi.
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