Kakemono : $b Japanese sketchesEdwards, A. Herbage
Religion
Kakemono : $b Japanese sketches
Edwards, A. Herbage
Japan -- Description and travel; Japan -- Social life and customs
It was a gigantic slide, but we brought up at last on a ridge of grey
rock, over which we had to climb carefully, for it was full of holes.
On the other side of this ridge the degenerate green weeds had grown
into degenerate green plants; and after a few more slides and climbs
the plants became bushes, stunted and miserable, but bushes, and we
came out on to a sort of natural grass platform, before the rest-house
of No. 4, Yoshida side. It was dirty, the first dirty house I had ever
seen in Japan. Below us, as though stopped short by a word of command,
“Thus far and no further,” were the trees; the tops of the nearest were
on a level with the platform, but not one grew upon it.
With the cinder-slope behind us we stepped off the grass platform
straight into the forest. It was a beautiful forest. First firs, and
then, as we went downwards, green trees, small oaks and cryptomerias of
all kinds.
To feet weary of ballast-heaps, the forest footpath was a rest
refreshing, and the delight of growing trees and green fresh leaves
after _waraji_ and cinders, an enchantment. But Fuji had not finished
his surprises or his trials. Soon the pathway disappeared from under
our feet, and only the roots of the trees remained. On these we had
to walk, and they were slippery, knotted, and far apart, and full of
tangled holes that caught and tripped the feet.
A polite Japanese student came and walked with us a little way “to
improve his English,” but his feet in their _waraji_ stepped over the
tree-roots faster than ours in our boots, and we were soon left alone
again.
Gradually, as we went downwards, the forest altered from the austere
wood of the mountain to the rich luxuriant wood of the plains, green
with moss, covered with creepers, dripping with big juicy drops of
water as though rich sap were oozing from every vein.
All through the wood there were tiny tea-houses, set under a tree and
lost among the branches. We passed No. 1 at least seven times, each
time certain that it really must be the real original No. 1, and that
the “horse-turn-back” station, where we could get a _basha_ to carry us
to Yoshida, was necessarily “the next.” After the weary sliding down
that abrupt slope, the muscles of one’s legs were all trembling with
the strain, and the tree-roots, slippery and uncertain, became doubly
difficult. We were still going down so steeply that the hollow of the
pathway lay like a green chimney below us. Slowly up through this
living funnel came the pilgrim’s chant.
“We are going,” and the little bells clashed out triumphant--“we are
going to the top.”
Then the deep sing-song of the chorus, coming nearer with each
syllable, grew louder:
“Top ... the top ... to the top.”
We waited while the chant coming up from the green depths below came
nearer, came past us, went on.
From the green heights above it sounded down.
“We are going,” and the tiny cymbals clashed--“we are going to the
top.”
Public-domain text, read in full here on John Shaqi.
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